The Magic Skin
I. THE TALISMAN (2)

Honore de

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As he spoke, he jestingly pointed to the guests. They were entering a large room which shone with gilding and lights, and there all the younger men of note in Paris welcomed them. Here was one who had just revealed fresh powers, his first picture vied with the glories of Imperial art. There, another, who but yesterday had launched forth a volume, an acrid book filled with a sort of literary arrogance, which opened up new ways to the modern school. A sculptor, not far away, with vigorous power visible in his rough features, was chatting with one of those unenthusiastic scoffers who can either see excellence anywhere or nowhere, as it happens. Here, the cleverest of our caricaturists, with mischievous eyes and bitter tongue, lay in wait for epigrams to translate into pencil strokes; there, stood the young and audacious writer, who distilled the quintessence of political ideas better than any other man, or compressed the work of some prolific writer as he held him up to ridicule; he was talking with the poet whose works would have eclipsed all the writings of the time if his ability had been as strenuous as his hatreds. Both were trying not to say the truth while they kept clear of lies, as they exchanged flattering speeches. A famous musician administered soothing consolation in a rallying fashion, to a young politician who had just fallen quite unhurt, from his rostrum. Young writers who lacked style stood beside other young writers who lacked ideas, and authors of poetical prose by prosaic poets.

At the sight of all these incomplete beings, a simple Saint Simonian, ingenuous enough to believe in his own doctrine, charitably paired them off, designing, no doubt, to convert them into monks of his order. A few men of science mingled in the conversation, like nitrogen in the atmosphere, and several vaudevillistes shed rays like the sparking diamonds that give neither light nor heat. A few paradox-mongers, laughing up their sleeves at any folk who embraced their likes or dislikes in men or affairs, had already begun a two-edged policy, conspiring against all systems, without committing themselves to any side. Then there was the self-appointed critic who admires nothing, and will blow his nose in the middle of a cavatina at the Bouffons, who applauds before any one else begins, and contradicts every one who says what he himself was about to say; he was there giving out the sayings of wittier men for his own. Of all the assembled guests, a future lay before some five; ten or so should acquire a fleeting renown; as for the rest, like all mediocrities, they might apply to themselves the famous falsehood of Louis XVIII., Union and oblivion.

The anxious jocularity of a man who is expending two thousand crowns sat on their host. His eyes turned impatiently towards the door from time to time, seeking one of his guests who kept him waiting. Very soon a stout little person appeared, who was greeted by a complimentary murmur; it was the notary who had invented the newspaper that very morning. A valet-de-chambre in black opened the doors of a vast dining-room, whither every one went without ceremony, and took his place at an enormous table.

Raphael took a last look round the room before he left it. His wish had been realized to the full. The rooms were adorned with silk and gold. Countless wax tapers set in handsome candelabra lit up the slightest details of gilded friezes, the delicate bronze sculpture, and the splendid colors of the furniture. The sweet scent of rare flowers, set in stands tastefully made of bamboo, filled the air. Everything, even the curtains, was pervaded by elegance without pretension, and there was a certain imaginative charm about it all which acted like a spell on the mind of a needy man.

"An income of a hundred thousand livres a year is a very nice beginning of the catechism, and a wonderful assistance to putting morality into our actions," he said, sighing. "Truly my sort of virtue can scarcely go afoot, and vice means, to my thinking, a garret, a threadbare coat, a gray hat in winter time, and sums owing to the porter.... I should like to live in the lap of luxury a year, or six months, no matter! And then afterwards, die. I should have known, exhausted, and consumed a thousand lives, at any rate."

"Why, you are taking the tone of a stockbroker in good luck," said Emile, who overheard him. "Pooh! your riches would be a burden to you as soon as you found that they would spoil your chances of coming out above the rest of us. Hasn't the artist always kept the balance true between the poverty of riches and the riches of poverty? And isn't struggle a necessity to some of us? Look out for your digestion, and only look," he added, with a mock-heroic gesture, "at the majestic, thrice holy, and edifying appearance of this amiable capitalist's dining-room. That man has in reality only made his money for our benefit. Isn't he a kind of sponge of the polyp order, overlooked by naturalists, which should be carefully squeezed before he is left for his heirs to feed upon? There is style, isn't there, about those bas-reliefs that adorn the walls? And the lustres, and the pictures, what luxury well carried out! If one may believe those who envy him, or who know, or think they know, the origins of his life, then this man got rid of a German and some others—his best friend for one, and the mother of that friend, during the Revolution. Could you house crimes under the venerable Taillefer's silvering locks? He looks to me a very worthy man. Only see how the silver sparkles, and is every glittering ray like a stab of a dagger to him?... Let us go in, one might as well believe in Mahomet. If common report speak truth, here are thirty men of talent, and good fellows too, prepared to dine off the flesh and blood of a whole family;... and here are we ourselves, a pair of youngsters full of open-hearted enthusiasm, and we shall be partakers in his guilt. I have a mind to ask our capitalist whether he is a respectable character...."

"No, not now," cried Raphael, "but when he is dead drunk, we shall have had our dinner then."

The two friends sat down laughing. First of all, by a glance more rapid than a word, each paid his tribute of admiration to the splendid general effect of the long table, white as a bank of freshly-fallen snow, with its symmetrical line of covers, crowned with their pale golden rolls of bread. Rainbow colors gleamed in the starry rays of light reflected by the glass; the lights of the tapers crossed and recrossed each other indefinitely; the dishes covered with their silver domes whetted both appetite and curiosity.

Few words were spoken. Neighbors exchanged glances as the Maderia circulated. Then the first course appeared in all its glory; it would have done honor to the late Cambaceres, Brillat-Savarin would have celebrated it. The wines of Bordeaux and Burgundy, white and red, were royally lavished. This first part of the banquet might been compared in every way to a rendering of some classical tragedy. The second act grew a trifle noisier. Every guest had had a fair amount to drink, and had tried various crus at this pleasure, so that as the remains of the magnificent first course were removed, tumultuous discussions began; a pale brow here and there began to flush, sundry noses took a purpler hue, faces lit up, and eyes sparkled.

While intoxication was only dawning, the conversation did not overstep the bounds of civility; but banter and bon mots slipped by degrees from every tongue; and then slander began to rear its little snake's heard, and spoke in dulcet tones; a few shrewd ones here and there gave heed to it, hoping to keep their heads. So the second course found their minds somewhat heated. Every one ate as he spoke, spoke while he ate, and drank without heeding the quantity of the liquor, the wine was so biting, the bouquet so fragrant, the example around so infectious. Taillefer made a point of stimulating his guests, and plied them with the formidable wines of the Rhone, with fierce Tokay, and heady old Roussillon.

The champagne, impatiently expected and lavishly poured out, was a scourge of fiery sparks to these men; released like post-horses from some mail-coach by a relay; they let their spirits gallop away into the wilds of argument to which no one listened, began to tell stories which had no auditors, and repeatedly asked questions to which no answer was made. Only the loud voice of wassail could be heard, a voice made up of a hundred confused clamors, which rose and grew like a crescendo of Rossini's. Insidious toasts, swagger, and challenges followed.

Each renounced any pride in his own intellectual capacity, in order to vindicate that of hogsheads, casks, and vats; and each made noise enough for two. A time came when the footmen smiled, while their masters all talked at once. A philosopher would have been interested, doubtless, by the singularity of the thoughts expressed, a politician would have been amazed by the incongruity of the methods discussed in the melee of words or doubtfully luminous paradoxes, where truths, grotesquely caparisoned, met in conflict across the uproar of brawling judgments, of arbitrary decisions and folly, much as bullets, shells, and grapeshot are hurled across a battlefield.

It was at once a volume and a picture. Every philosophy, religion, and moral code differing so greatly in every latitude, every government, every great achievement of the human intellect, fell before a scythe as long as Time's own; and you might have found it hard to decide whether it was wielded by Gravity intoxicated, or by Inebriation grown sober and clear-sighted. Borne away by a kind of tempest, their minds, like the sea raging against the cliffs, seemed ready to shake the laws which confine the ebb and flow of civilization; unconsciously fulfilling the will of God, who has suffered evil and good to abide in nature, and reserved the secret of their continual strife to Himself. A frantic travesty of debate ensued, a Walpurgis-revel of intellects. Between the dreary jests of these children of the Revolution over the inauguration of a newspaper, and the talk of the joyous gossips at Gargantua's birth, stretched the gulf that divides the nineteenth century from the sixteenth. Laughingly they had begun the work of destruction, and our journalists laughed amid the ruins.

"What is the name of that young man over there?" said the notary, indicating Raphael. "I thought I heard some one call him Valentin."

"What stuff is this?" said Emile, laughing; "plain Valentin, say you? Raphael DE Valentin, if you please. We bear an eagle or, on a field sable, with a silver crown, beak and claws gules, and a fine motto: NON CECIDIT ANIMUS. We are no foundling child, but a descendant of the Emperor Valens, of the stock of the Valentinois, founders of the cities of Valence in France, and Valencia in Spain, rightful heirs to the Empire of the East. If we suffer Mahmoud on the throne of Byzantium, it is out of pure condescension, and for lack of funds and soldiers."

With a fork flourished above Raphael's head, Emile outlined a crown upon it. The notary bethought himself a moment, but soon fell to drinking again, with a gesture peculiar to himself; it was quite impossible, it seemed to say to secure in his clientele the cities of Valence and Byzantium, the Emperor Valens, Mahmoud, and the house of Valentinois.

"Should not the destruction of those ant-hills, Babylon, Tyre, Carthage, and Venice, each crushed beneath the foot of a passing giant, serve as a warning to man, vouchsafed by some mocking power?" said Claude Vignon, who must play the Bossuet, as a sort of purchased slave, at the rate of fivepence a line.

"Perhaps Moses, Sylla, Louis XI., Richelieu, Robespierre, and Napoleon were but the same man who crosses our civilizations now and again, like a comet across the sky," said a disciple of Ballanche.

"Why try to fathom the designs of Providence?" said Canalis, maker of ballads.

"Come, now," said the man who set up for a critic, "there is nothing more elastic in the world than your Providence."

"Well, sir, Louis XIV. sacrificed more lives over digging the foundations of the Maintenon's aqueducts, than the Convention expended in order to assess the taxes justly, to make one law for everybody, and one nation of France, and to establish the rule of equal inheritance," said Massol, whom the lack of a syllable before his name had made a Republican.

"Are you going to leave our heads on our shoulders?" asked Moreau (of the Oise), a substantial farmer. "You, sir, who took blood for wine just now?"

"Where is the use? Aren't the principles of social order worth some sacrifices, sir?"

"Hi! Bixiou! What's-his-name, the Republican, considers a landowner's head a sacrifice!" said a young man to his neighbor.

"Men and events count for nothing," said the Republican, following out his theory in spite of hiccoughs; "in politics, as in philosophy, there are only principles and ideas."

"What an abomination! Then you would ruthlessly put your friends to death for a shibboleth?"

"Eh, sir! the man who feels compunction is your thorough scoundrel, for he has some notion of virtue; while Peter the Great and the Duke of Alva were embodied systems, and the pirate Monbard an organization."

"But can't society rid itself of your systems and organizations?" said Canalis.

"Oh, granted!" cried the Republican.

"That stupid Republic of yours makes me feel queasy. We sha'n't be able to carve a capon in peace, because we shall find the agrarian law inside it."

"Ah, my little Brutus, stuffed with truffles, your principles are all right enough. But you are like my valet, the rogue is so frightfully possessed with a mania for property that if I left him to clean my clothes after his fashion, he would soon clean me out."

"Crass idiots!" replied the Republican, "you are for setting a nation straight with toothpicks. To your way of thinking, justice is more dangerous than thieves."

"Oh, dear!" cried the attorney Deroches.

"Aren't they a bore with their politics!" said the notary Cardot. "Shut up. That's enough of it. There is no knowledge nor virtue worth shedding a drop of blood for. If Truth were brought into liquidation, we might find her insolvent."

"It would be much less trouble, no doubt, to amuse ourselves with evil, rather than dispute about good. Moreover, I would give all the speeches made for forty years past at the Tribune for a trout, for one of Perrault's tales or Charlet's sketches."

"Quite right!... Hand me the asparagus. Because, after all, liberty begets anarchy, anarchy leads to despotism, and despotism back again to liberty. Millions have died without securing a triumph for any one system. Is not that the vicious circle in which the whole moral world revolves? Man believes that he has reached perfection, when in fact he has but rearranged matters."

"Oh! oh!" cried Cursy, the vaudevilliste; "in that case, gentlemen, here's to Charles X., the father of liberty."

"Why not?" asked Emile. "When law becomes despotic, morals are relaxed, and vice versa.

"Let us drink to the imbecility of authority, which gives us such an authority over imbeciles!" said the good banker.

"Napoleon left us glory, at any rate, my good friend!" exclaimed a naval officer who had never left Brest.

"Glory is a poor bargain; you buy it dear, and it will not keep. Does not the egotism of the great take the form of glory, just as for nobodies it is their own well-being?"

"You are very fortunate, sir——"

"The first inventor of ditches must have been a weakling, for society is only useful to the puny. The savage and the philosopher, at either extreme of the moral scale, hold property in equal horror."

"All very fine!" said Cardot; "but if there were no property, there would be no documents to draw up."

"These green peas are excessively delicious!"

"And the cure was found dead in his bed in the morning...."

"Who is talking about death? Pray don't trifle, I have an uncle."

"Could you bear his loss with resignation?"

"No question."

"Gentlemen, listen to me! How to kill an uncle. Silence! (Cries of "Hush! hush!") In the first place, take an uncle, large and stout, seventy years old at least, they are the best uncles. (Sensation.) Get him to eat a pate de foie gras, any pretext will do."

"Ah, but my uncle is a thin, tall man, and very niggardly and abstemious."

"That sort of uncle is a monster; he misappropriates existence."

"Then," the speaker on uncles went on, "tell him, while he is digesting it, that his banker has failed."

"How if he bears up?"

"Let loose a pretty girl on him."

"And if——?" asked the other, with a shake of the head.

"Then he wouldn't be an uncle—an uncle is a gay dog by nature."

"Malibran has lost two notes in her voice."

"No, sir, she has not."

"Yes, sir, she has."

"Oh, ho! No and yes, is not that the sum-up of all religious, political, or literary dissertations? Man is a clown dancing on the edge of an abyss."

"You would make out that I am a fool."

"On the contrary, you cannot make me out."

"Education, there's a pretty piece of tomfoolery. M. Heineffettermach estimates the number of printed volumes at more than a thousand millions; and a man cannot read more than a hundred and fifty thousand in his lifetime. So, just tell me what that word education means. For some it consists in knowing the name of Alexander's horse, of the dog Berecillo, of the Seigneur d'Accords, and in ignorance of the man to whom we owe the discovery of rafting and the manufacture of porcelain. For others it is the knowledge how to burn a will and live respected, be looked up to and popular, instead of stealing a watch with half-a-dozen aggravating circumstances, after a previous conviction, and so perishing, hated and dishonored, in the Place de Greve."

"Will Nathan's work live?"

"He has very clever collaborators, sir."

"Or Canalis?"

"He is a great man; let us say no more about him."

"You are all drunk!"

"The consequence of a Constitution is the immediate stultification of intellects. Art, science, public works, everything, is consumed by a horribly egoistic feeling, the leprosy of the time. Three hundred of your bourgeoisie, set down on benches, will only think of planting poplars. Tyranny does great things lawlessly, while Liberty will scarcely trouble herself to do petty ones lawfully."

"Your reciprocal instruction will turn out counters in human flesh," broke in an Absolutist. "All individuality will disappear in a people brought to a dead level by education."

"For all that, is not the aim of society to secure happiness to each member of it?" asked the Saint-Simonian.

"If you had an income of fifty thousand livres, you would not think much about the people. If you are smitten with a tender passion for the race, go to Madagascar; there you will find a nice little nation all ready to Saint-Simonize, classify, and cork up in your phials, but here every one fits into his niche like a peg in a hole. A porter is a porter, and a blockhead is a fool, without a college of fathers to promote them to those positions."

"You are a Carlist."

"And why not? Despotism pleases me; it implies a certain contempt for the human race. I have no animosity against kings, they are so amusing. Is it nothing to sit enthroned in a room, at a distance of thirty million leagues from the sun?"

"Let us once more take a broad view of civilization," said the man of learning who, for the benefit of the inattentive sculptor, had opened a discussion on primitive society and autochthonous races. "The vigor of a nation in its origin was in a way physical, unitary, and crude; then as aggregations increased, government advanced by a decomposition of the primitive rule, more or less skilfully managed. For example, in remote ages national strength lay in theocracy, the priest held both sword and censer; a little later there were two priests, the pontiff and the king. To-day our society, the latest word of civilization, has distributed power according to the number of combinations, and we come to the forces called business, thought, money, and eloquence. Authority thus divided is steadily approaching a social dissolution, with interest as its one opposing barrier. We depend no longer on either religion or physical force, but upon intellect. Can a book replace the sword? Can discussion be a substitute for action? That is the question."

"Intellect has made an end of everything," cried the Carlist. "Come now! Absolute freedom has brought about national suicides; their triumph left them as listless as an English millionaire."

"Won't you tell us something new? You have made fun of authority of all sorts to-day, which is every bit as vulgar as denying the existence of God. So you have no belief left, and the century is like an old Sultan worn out by debauchery! Your Byron, in short, sings of crime and its emotions in a final despair of poetry."

"Don't you know," replied Bianchon, quite drunk by this time, "that a dose of phosphorus more or less makes the man of genius or the scoundrel, a clever man or an idiot, a virtuous person or a criminal?"

"Can any one treat of virtue thus?" cried Cursy. "Virtue, the subject of every drama at the theatre, the denoument of every play, the foundation of every court of law...."

"Be quiet, you ass. You are an Achilles for virtue, without his heel," said Bixiou.

"Some drink!"

"What will you bet that I will drink a bottle of champagne like a flash, at one pull?"

"What a flash of wit!"

"Drunk as lords," muttered a young man gravely, trying to give some wine to his waistcoat.

"Yes, sir; real government is the art of ruling by public opinion."

"Opinion? That is the most vicious jade of all. According to you moralists and politicians, the laws you set up are always to go before those of nature, and opinion before conscience. You are right and wrong both. Suppose society bestows down pillows on us, that benefit is made up for by the gout; and justice is likewise tempered by red-tape, and colds accompany cashmere shawls."

"Wretch!" Emile broke in upon the misanthrope, "how can you slander civilization here at table, up to the eyes in wines and exquisite dishes? Eat away at that roebuck with the gilded horns and feet, and do not carp at your mother..."

"Is it any fault of mine if Catholicism puts a million deities in a sack of flour, that Republics will end in a Napoleon, that monarchy dwells between the assassination of Henry IV. and the trial of Louis XVI., and Liberalism produces Lafayettes?"

"Didn't you embrace him in July?"

"No."

"Then hold your tongue, you sceptic."

"Sceptics are the most conscientious of men."

"They have no conscience."

"What are you saying? They have two apiece at least!"

"So you want to discount heaven, a thoroughly commercial notion. Ancient religions were but the unchecked development of physical pleasure, but we have developed a soul and expectations; some advance has been made."

"What can you expect, my friends, of a century filled with politics to repletion?" asked Nathan. "What befell The History of the King of Bohemia and his Seven Castles, a most entrancing conception?..."

"I say," the would-be critic cried down the whole length of the table. "The phrases might have been drawn at hap-hazard from a hat, 'twas a work written 'down to Charenton.'"

"You are a fool!"

"And you are a rogue!"

"Oh! oh!"

"Ah! ah!"

"They are going to fight."

"No, they aren't."

"You will find me to-morrow, sir."

"This very moment," Nathan answered.

"Come, come, you pair of fire-eaters!"

"You are another!" said the prime mover in the quarrel.

"Ah, I can't stand upright, perhaps?" asked the pugnacious Nathan, straightening himself up like a stag-beetle about to fly.

He stared stupidly round the table, then, completely exhausted by the effort, sank back into his chair, and mutely hung his head.

"Would it not have been nice," the critic said to his neighbor, "to fight about a book I have neither read nor seen?"

"Emile, look out for your coat; your neighbor is growing pale," said Bixiou.

"Kant? Yet another ball flung out for fools to sport with, sir! Materialism and spiritualism are a fine pair of battledores with which charlatans in long gowns keep a shuttlecock a-going. Suppose that God is everywhere, as Spinoza says, or that all things proceed from God, as says St. Paul... the nincompoops, the door shuts or opens, but isn't the movement the same? Does the fowl come from the egg, or the egg from the fowl?... Just hand me some duck... and there, you have all science."

"Simpleton!" cried the man of science, "your problem is settled by fact!"

"What fact?"

"Professors' chairs were not made for philosophy, but philosophy for the professors' chairs. Put on a pair of spectacles and read the budget."

"Thieves!"

"Nincompoops!"

"Knaves!"

"Gulls!"

"Where but in Paris will you find such a ready and rapid exchange of thought?" cried Bixiou in a deep, bass voice.

"Bixiou! Act a classical farce for us! Come now."

"Would you like me to depict the nineteenth century?"

"Silence."

"Pay attention."

"Clap a muffle on your trumpets."

"Shut up, you Turk!"

"Give him some wine, and let that fellow keep quiet."

"Now, then, Bixiou!"

The artist buttoned his black coat to the collar, put on yellow gloves, and began to burlesque the Revue des Deux Mondes by acting a squinting old lady; but the uproar drowned his voice, and no one heard a word of the satire. Still, if he did not catch the spirit of the century, he represented the Revue at any rate, for his own intentions were not very clear to him.

Dessert was served as if by magic. A huge epergne of gilded bronze from Thomire's studio overshadowed the table. Tall statuettes, which a celebrated artist had endued with ideal beauty according to conventional European notions, sustained and carried pyramids of strawberries, pines, fresh dates, golden grapes, clear-skinned peaches, oranges brought from Setubal by steamer, pomegranates, Chinese fruit; in short, all the surprises of luxury, miracles of confectionery, the most tempting dainties, and choicest delicacies. The coloring of this epicurean work of art was enhanced by the splendors of porcelain, by sparkling outlines of gold, by the chasing of the vases. Poussin's landscapes, copied on Sevres ware, were crowned with graceful fringes of moss, green, translucent, and fragile as ocean weeds.

The revenue of a German prince would not have defrayed the cost of this arrogant display. Silver and mother-of-pearl, gold and crystal, were lavished afresh in new forms; but scarcely a vague idea of this almost Oriental fairyland penetrated eyes now heavy with wine, or crossed the delirium of intoxication. The fire and fragrance of the wines acted like potent philters and magical fumes, producing a kind of mirage in the brain, binding feet, and weighing down hands. The clamor increased. Words were no longer distinct, glasses flew in pieces, senseless peals of laughter broke out. Cursy snatched up a horn and struck up a flourish on it. It acted like a signal given by the devil. Yells, hisses, songs, cries, and groans went up from the maddened crew. You might have smiled to see men, light-hearted by nature, grow tragical as Crebillon's dramas, and pensive as a sailor in a coach. Hard-headed men blabbed secrets to the inquisitive, who were long past heeding them. Saturnine faces were wreathed in smiles worthy of a pirouetting dancer. Claude Vignon shuffled about like a bear in a cage. Intimate friends began to fight.

Animal likenesses, so curiously traced by physiologists in human faces, came out in gestures and behavior. A book lay open for a Bichat if he had repaired thither fasting and collected. The master of the house, knowing his condition, did not dare stir, but encouraged his guests' extravangances with a fixed grimacing smile, meant to be hospitable and appropriate. His large face, turning from blue and red to a purple shade terrible to see, partook of the general commotion by movements like the heaving and pitching of a brig.

"Now, did you murder them?" Emile asked him.

"Capital punishment is going to be abolished, they say, in favor of the Revolution of July," answered Taillefer, raising his eyebrows with drunken sagacity.

"Don't they rise up before you in dreams at times?" Raphael persisted.

"There's a statute of limitations," said the murderer-Croesus.

"And on his tombstone," Emile began, with a sardonic laugh, "the stonemason will carve 'Passer-by, accord a tear, in memory of one that's here!' Oh," he continued, "I would cheerfully pay a hundred sous to any mathematician who would prove the existence of hell to me by an algebraical equation."

He flung up a coin and cried:

"Heads for the existence of God!"

"Don't look!" Raphael cried, pouncing upon it. "Who knows? Suspense is so pleasant."

"Unluckily," Emile said, with burlesque melancholy, "I can see no halting-place between the unbeliever's arithmetic and the papal Pater noster. Pshaw! let us drink. Trinq was, I believe, the oracular answer of the dive bouteille and the final conclusion of Pantagruel."

"We owe our arts and monuments to the Pater noster, and our knowledge, too, perhaps; and a still greater benefit—modern government—whereby a vast and teeming society is wondrously represented by some five hundred intellects. It neutralizes opposing forces and gives free play to Civilization, that Titan queen who has succeeded the ancient terrible figure of the King, that sham Providence, reared by man between himself and heaven. In the face of such achievements, atheism seems like a barren skeleton. What do you say?"

"I am thinking of the seas of blood shed by Catholicism." Emile replied, quite unimpressed. "It has drained our hearts and veins dry to make a mimic deluge. No matter! Every man who thinks must range himself beneath the banner of Christ, for He alone has consummated the triumph of spirit over matter; He alone has revealed to us, like a poet, an intermediate world that separates us from the Deity."

"Believest thou?" asked Raphael with an unaccountable drunken smile. "Very good; we must not commit ourselves; so we will drink the celebrated toast, Diis ignotis!"

And they drained the chalice filled up with science, carbonic acid gas, perfumes, poetry, and incredulity.

"If the gentlemen will go to the drawing-room, coffee is ready for them," said the major-domo.

There was scarcely one of those present whose mind was not floundering by this time in the delights of chaos, where every spark of intelligence is quenched, and the body, set free from its tyranny, gives itself up to the frenetic joys of liberty. Some who had arrived at the apogee of intoxication were dejected, as they painfully tried to arrest a single thought which might assure them of their own existence; others, deep in the heavy morasses of indigestion, denied the possibility of movement. The noisy and the silent were oddly assorted.

For all that, when new joys were announced to them by the stentorian tones of the servant, who spoke on his master's behalf, they all rose, leaning upon, dragging or carrying one another. But on the threshold of the room the entire crew paused for a moment, motionless, as if fascinated. The intemperate pleasures of the banquet seemed to fade away at this titillating spectacle, prepared by their amphitryon to appeal to the most sensual of their instincts.

Beneath the shining wax-lights in a golden chandelier, round about a table inlaid with gilded metal, a group of women, whose eyes shone like diamonds, suddenly met the stupefied stare of the revelers. Their toilettes were splendid, but less magnificent than their beauty, which eclipsed the other marvels of this palace. A light shone from their eyes, bewitching as those of sirens, more brilliant and ardent than the blaze that streamed down upon the snowy marble, the delicately carved surfaces of bronze, and lit up the satin sheen of the tapestry. The contrasts of their attitudes and the slight movements of their heads, each differing in character and nature of attraction, set the heart afire. It was like a thicket, where blossoms mingled with rubies, sapphires, and coral; a combination of gossamer scarves that flickered like beacon-lights; of black ribbons about snowy throats; of gorgeous turbans and demurely enticing apparel. It was a seraglio that appealed to every eye, and fulfilled every fancy. Each form posed to admiration was scarcely concealed by the folds of cashmere, and half hidden, half revealed by transparent gauze and diaphanous silk. The little slender feet were eloquent, though the fresh red lips uttered no sound.

Demure and fragile-looking girls, pictures of maidenly innocence, with a semblance of conventional unction about their heads, were there like apparitions that a breath might dissipate. Aristocratic beauties with haughty glances, languid, flexible, slender, and complaisant, bent their heads as though there were royal protectors still in the market. An English-woman seemed like a spirit of melancholy—some coy, pale, shadowy form among Ossian's mists, or a type of remorse flying from crime. The Parisienne was not wanting in all her beauty that consists in an indescribable charm; armed with her irresistible weakness, vain of her costume and her wit, pliant and hard, a heartless, passionless siren that yet can create factitious treasures of passion and counterfeit emotion.

Italians shone in the throng, serene and self-possessed in their bliss; handsome Normans, with splendid figures; women of the south, with black hair and well-shaped eyes. Lebel might have summoned together all the fair women of Versailles, who since morning had perfected all their wiles, and now came like a troupe of Oriental women, bidden by the slave merchant to be ready to set out at dawn. They stood disconcerted and confused about the table, huddled together in a murmuring group like bees in a hive. The combination of timid embarrassment with coquettishness and a sort of expostulation was the result either of calculated effect or a spontaneous modesty. Perhaps a sentiment of which women are never utterly divested prescribed to them the cloak of modesty to heighten and enhance the charms of wantonness. So the venerable Taillefer's designs seemed on the point of collapse, for these unbridled natures were subdued from the very first by the majesty with which woman is invested. There was a murmur of admiration, which vibrated like a soft musical note. Wine had not taken love for traveling companion; instead of a violent tumult of passions, the guests thus taken by surprise, in a moment of weakness, gave themselves up to luxurious raptures of delight.

Artists obeyed the voice of poetry which constrains them, and studied with pleasure the different delicate tints of these chosen examples of beauty. Sobered by a thought perhaps due to some emanation from a bubble of carbonic acid in the champagne, a philosopher shuddered at the misfortunes which had brought these women, once perhaps worthy of the truest devotion, to this. Each one doubtless could have unfolded a cruel tragedy. Infernal tortures followed in the train of most of them, and they drew after them faithless men, broken vows, and pleasures atoned for in wretchedness. Polite advances were made by the guests, and conversations began, as varied in character as the speakers. They broke up into groups. It might have been a fashionable drawing-room where ladies and young girls offer after dinner the assistance that coffee, liqueurs, and sugar afford to diners who are struggling in the toils of a perverse digestion. But in a little while laughter broke out, the murmur grew, and voices were raised. The saturnalia, subdued for a moment, threatened at times to renew itself. The alternations of sound and silence bore a distant resemblance to a symphony of Beethoven's.

The two friends, seated on a silken divan, were first approached by a tall, well-proportioned girl of stately bearing; her features were irregular, but her face was striking and vehement in expression, and impressed the mind by the vigor of its contrasts. Her dark hair fell in luxuriant curls, with which some hand seemed to have played havoc already, for the locks fell lightly over the splendid shoulders that thus attracted attention. The long brown curls half hid her queenly throat, though where the light fell upon it, the delicacy of its fine outlines was revealed. Her warm and vivid coloring was set off by the dead white of her complexion. Bold and ardent glances came from under the long eyelashes; the damp, red, half-open lips challenged a kiss. Her frame was strong but compliant; with a bust and arms strongly developed, as in figures drawn by the Caracci, she yet seemed active and elastic, with a panther's strength and suppleness, and in the same way the energetic grace of her figure suggested fierce pleasures.

But though she might romp perhaps and laugh, there was something terrible in her eyes and her smile. Like a pythoness possessed by the demon, she inspired awe rather than pleasure. All changes, one after another, flashed like lightning over every mobile feature of her face. She might captivate a jaded fancy, but a young man would have feared her. She was like some colossal statue fallen from the height of a Greek temple, so grand when seen afar, too roughly hewn to be seen anear. And yet, in spite of all, her terrible beauty could have stimulated exhaustion; her voice might charm the deaf; her glances might put life into the bones of the dead; and therefore Emile was vaguely reminded of one of Shakespeare's tragedies—a wonderful maze, in which joy groans, and there is something wild even about love, and the magic of forgiveness and the warmth of happiness succeed to cruel storms of rage. She was a siren that can both kiss and devour; laugh like a devil, or weep as angels can. She could concentrate in one instant all a woman's powers of attraction in a single effort (the sighs of melancholy and the charms of maiden's shyness alone excepted), then in a moment rise in fury like a nation in revolt, and tear herself, her passion, and her lover, in pieces.

Dressed in red velvet, she trampled under her reckless feet the stray flowers fallen from other heads, and held out a salver to the two friends, with careless hands. The white arms stood out in bold relief against the velvet. Proud of her beauty; proud (who knows?) of her corruption, she stood like a queen of pleasure, like an incarnation of enjoyment; the enjoyment that comes of squandering the accumulations of three generations; that scoffs at its progenitors, and makes merry over a corpse; that will dissolve pearls and wreck thrones, turn old men into boys, and make young men prematurely old; enjoyment only possible to giants weary of their power, tormented by reflection, or for whom strife has become a plaything.

"What is your name?" asked Raphael.

"Aquilina."

"Out of Venice Preserved!" exclaimed Emile.

"Yes," she answered. "Just as a pope takes a new name when he is exalted above all other men, I, too, took another name when I raised myself above women's level."

"Then have you, like your patron saint, a terrible and noble lover, a conspirator, who would die for you?" cried Emile eagerly—this gleam of poetry had aroused his interest.

"Once I had," she answered. "But I had a rival too in La Guillotine. I have worn something red about me ever since, lest any happiness should carry me away."

"Oh, if you are going to get her on to the story of those four lads of La Rochelle, she will never get to the end of it. That's enough, Aquilina. As if every woman could not bewail some lover or other, though not every one has the luck to lose him on the scaffold, as you have done. I would a great deal sooner see a lover of mine in a trench at the back of Clamart than in a rival's arms."

All this in the gentlest and most melodious accents, and pronounced by the prettiest, gentlest, and most innocent-looking little person that a fairy wand ever drew from an enchanted eggshell. She had come up noiselessly, and they became aware of a slender, dainty figure, charmingly timid blue eyes, and white transparent brows. No ingenue among the naiads, a truant from her river spring, could have been shyer, whiter, more ingenuous than this young girl, seemingly about sixteen years old, ignorant of evil and of the storms of life, and fresh from some church in which she must have prayed the angels to call her to heaven before the time. Only in Paris are such natures as this to be found, concealing depths of depravity behind a fair mask, and the most artificial vices beneath a brow as young and fair as an opening flower.

At first the angelic promise of those soft lineaments misled the friends. Raphael and Emile took the coffee which she poured into the cups brought by Aquilina, and began to talk with her. In the eyes of the two poets she soon became transformed into some sombre allegory, of I know not what aspect of human life. She opposed to the vigorous and ardent expression of her commanding acquaintance a revelation of heartless corruption and voluptuous cruelty. Heedless enough to perpetrate a crime, hardy enough to feel no misgivings; a pitiless demon that wrings larger and kinder natures with torments that it is incapable of knowing, that simpers over a traffic in love, sheds tears over a victim's funeral, and beams with joy over the reading of the will. A poet might have admired the magnificent Aquilina; but the winning Euphrasia must be repulsive to every one—the first was the soul of sin; the second, sin without a soul in it.

"I should dearly like to know," Emile remarked to this pleasing being, "if you ever reflect upon your future?"

"My future!" she answered with a laugh. "What do you mean by my future? Why should I think about something that does not exist as yet? I never look before or behind. Isn't one day at a time more than I can concern myself with as it is? And besides, the future, as we know, means the hospital."

"How can you forsee a future in the hospital, and make no effort to avert it?"

"What is there so alarming about the hospital?" asked the terrific Aquilina. "When we are neither wives nor mothers, when old age draws black stockings over our limbs, sets wrinkles on our brows, withers up the woman in us, and darkens the light in our lover's eyes, what could we need when that comes to pass? You would look on us then as mere human clay; we with our habiliments shall be for you like so much mud—worthless, lifeless, crumbling to pieces, going about with the rustle of dead leaves. Rags or the daintiest finery will be as one to us then; the ambergris of the boudoir will breathe an odor of death and dry bones; and suppose there is a heart there in that mud, not one of you but would make mock of it, not so much as a memory will you spare to us. Is not our existence precisely the same whether we live in a fine mansion with lap-dogs to tend, or sort rags in a workhouse? Does it make much difference whether we shall hide our gray heads beneath lace or a handkerchief striped with blue and red; whether we sweep a crossing with a birch broom, or the steps of the Tuileries with satins; whether we sit beside a gilded hearth, or cower over the ashes in a red earthen pot; whether we go to the Opera or look on in the Place de Greve?"

"Aquilina mia, you have never shown more sense than in this depressing fit of yours," Euphrasia remarked. "Yes, cashmere, point d'Alencon, perfumes, gold, silks, luxury, everything that sparkles, everything pleasant, belongs to youth alone. Time alone may show us our folly, but good fortune will acquit us. You are laughing at me," she went on, with a malicious glance at the friends; "but am I not right? I would sooner die of pleasure than of illness. I am not afflicted with a mania for perpetuity, nor have I a great veneration for human nature, such as God has made it. Give me millions, and I would squander them; I should not keep one centime for the year to come. Live to be charming and have power, that is the decree of my every heartbeat. Society sanctions my life; does it not pay for my extravagances? Why does Providence pay me every morning my income, which I spend every evening? Why are hospitals built for us? And Providence did not put good and evil on either hand for us to select what tires and pains us. I should be very foolish if I did not amuse myself."

"And how about others?" asked Emile.

"Others? Oh, well, they must manage for themselves. I prefer laughing at their woes to weeping over my own. I defy any man to give me the slightest uneasiness."

"What have you suffered to make you think like this?" asked Raphael.

"I myself have been forsaken for an inheritance," she said, striking an attitude that displayed all her charms; "and yet I had worked night and day to keep my lover! I am not to be gulled by any smile or vow, and I have set myself to make one long entertainment of my life."

"But does not happiness come from the soul within?" cried Raphael.

"It may be so," Aquilina answered; "but is it nothing to be conscious of admiration and flattery; to triumph over other women, even over the most virtuous, humiliating them before our beauty and our splendor? Not only so; one day of our life is worth ten years of a bourgeoise existence, and so it is all summed up."

"Is not a woman hateful without virtue?" Emile said to Raphael.

Euphrasia's glance was like a viper's, as she said, with an irony in her voice that cannot be rendered:

"Virtue! we leave that to deformity and to ugly women. What would the poor things be without it?"

"Hush, be quiet," Emile broke in. "Don't talk about something you have never known."

"That I have never known!" Euphrasia answered. "You give yourself for life to some person you abominate; you must bring up children who will neglect you, who wound your very heart, and you must say, 'Thank you!' for it; and these are the virtues you prescribe to woman. And that is not enough. By way of requiting her self-denial, you must come and add to her sorrows by trying to lead her astray; and though you are rebuffed, she is compromised. A nice life! How far better to keep one's freedom, to follow one's inclinations in love, and die young!"

"Have you no fear of the price to be paid some day for all this?"

"Even then," she said, "instead of mingling pleasures and troubles, my life will consist of two separate parts—a youth of happiness is secure, and there may come a hazy, uncertain old age, during which I can suffer at my leisure."

"She has never loved," came in the deep tones of Aquilina's voice. "She never went a hundred leagues to drink in one look and a denial with untold raptures. She has not hung her own life on a thread, nor tried to stab more than one man to save her sovereign lord, her king, her divinity.... Love, for her, meant a fascinating colonel."

"Here she is with her La Rochelle," Euphrasia made answer. "Love comes like the wind, no one knows whence. And, for that matter, if one of those brutes had once fallen in love with you, you would hold sensible men in horror."

"Brutes are put out of the question by the Code," said the tall, sarcastic Aquilina.

"I thought you had more kindness for the army," laughed Euphrasia.

"How happy they are in their power of dethroning their reason in this way," Raphael exclaimed.

"Happy?" asked Aquilina, with dreadful look, and a smile full of pity and terror. "Ah, you do not know what it is to be condemned to a life of pleasure, with your dead hidden in your heart...."

A moment's consideration of the rooms was like a foretaste of Milton's Pandemonium. The faces of those still capable of drinking wore a hideous blue tint, from burning draughts of punch. Mad dances were kept up with wild energy; excited laughter and outcries broke out like the explosion of fireworks. The boudoir and a small adjoining room were strewn like a battlefield with the insensible and incapable. Wine, pleasure, and dispute had heated the atmosphere. Wine and love, delirium and unconsciousness possessed them, and were written upon all faces, upon the furniture; were expressed by the surrounding disorder, and brought light films over the vision of those assembled, so that the air seemed full of intoxicating vapor. A glittering dust arose, as in the luminous paths made by a ray of sunlight, the most bizarre forms flitted through it, grotesque struggles were seen athwart it. Groups of interlaced figures blended with the white marbles, the noble masterpieces of sculpture that adorned the rooms.

Though the two friends yet preserved a sort of fallacious clearness in their ideas and voices, a feeble appearance and faint thrill of animation, it was yet almost impossible to distinguish what was real among the fantastic absurdities before them, or what foundation there was for the impossible pictures that passed unceasingly before their weary eyes. The strangest phenomena of dreams beset them, the lowering heavens, the fervid sweetness caught by faces in our visions, and unheard-of agility under a load of chains,—all these so vividly, that they took the pranks of the orgy about them for the freaks of some nightmare in which all movement is silent, and cries never reach the ear. The valet de chambre succeeded just then, after some little difficulty, in drawing his master into the ante-chamber to whisper to him:

"The neighbors are all at their windows, complaining of the racket, sir."

"If noise alarms them, why don't they lay down straw before their doors?" was Taillefer's rejoinder.

Raphael's sudden burst of laughter was so unseasonable and abrupt, that his friend demanded the reason of his unseemly hilarity.

"You will hardly understand me," he replied. "In the first place, I must admit that you stopped me on the Quai Voltaire just as I was about to throw myself into the Seine, and you would like to know, no doubt, my motives for dying. And when I proceed to tell you that by an almost miraculous chance the most poetic memorials of the material world had but just then been summed up for me as a symbolical interpretation of human wisdom; whilst at this minute the remains of all the intellectual treasures ravaged by us at table are comprised in these two women, the living and authentic types of folly, would you be any the wiser? Our profound apathy towards men and things supplied the half-tones in a crudely contrasted picture of two theories of life so diametrically opposed. If you were not drunk, you might perhaps catch a gleam of philosophy in this."

"And if you had not both feet on that fascinating Aquilina, whose heavy breathing suggests an analogy with the sounds of a storm about to burst," replied Emile, absently engaged in the harmless amusement of winding and unwinding Euphrasia's hair, "you would be ashamed of your inebriated garrulity. Both your systems can be packed in a phrase, and reduced to a single idea. The mere routine of living brings a stupid kind of wisdom with it, by blunting our intelligence with work; and on the other hand, a life passed in the limbo of the abstract or in the abysses of the moral world, produces a sort of wisdom run mad. The conditions may be summed up in brief; we may extinguish emotion, and so live to old age, or we may choose to die young as martyrs to contending passions. And yet this decree is at variance with the temperaments with which we were endowed by the bitter jester who modeled all creatures."

"Idiot!" Raphael burst in. "Go on epitomizing yourself after that fashion, and you will fill volumes. If I attempted to formulate those two ideas clearly, I might as well say that man is corrupted by the exercise of his wits, and purified by ignorance. You are calling the whole fabric of society to account. But whether we live with the wise or perish with the fool, isn't the result the same sooner or later? And have not the prime constituents of the quintessence of both systems been before expressed in a couple of words—Carymary, Carymara."

"You make me doubt the existence of a God, for your stupidity is greater than His power," said Emile. "Our beloved Rabelais summed it all up in a shorter word than your 'Carymary, Carymara'; from his Peut-etre Montaigne derived his own Que sais-je? After all, this last word of moral science is scarcely more than the cry of Pyrrhus set betwixt good and evil, or Buridan's ass between the two measures of oats. But let this everlasting question alone, resolved to-day by a 'Yes' and a 'No.' What experience did you look to find by a jump into the Seine? Were you jealous of the hydraulic machine on the Pont Notre Dame?"

"Ah, if you but knew my history!"

"Pooh," said Emile; "I did not think you could be so commonplace; that remark is hackneyed. Don't you know that every one of us claims to have suffered as no other ever did?"

"Ah!" Raphael sighed.

"What a mountebank art thou with thy 'Ah'! Look here, now. Does some disease of the mind or body, by contracting your muscles, bring back of a morning the wild horses that tear you in pieces at night, as with Damiens once upon a time? Were you driven to sup off your own dog in a garret, uncooked and without salt? Have your children ever cried, 'I am hungry'? Have you sold your mistress' hair to hazard the money at play? Have you ever drawn a sham bill of exchange on a fictitious uncle at a sham address, and feared lest you should not be in time to take it up? Come now, I am attending! If you were going to drown yourself for some woman, or by way of a protest, or out of sheer dulness, I disown you. Make your confession, and no lies! I don't at all want a historical memoir. And, above all things, be as concise as your clouded intellect permits; I am as critical as a professor, and as sleepy as a woman at her vespers."

"You silly fool!" said Raphael. "When has not suffering been keener for a more susceptible nature? Some day when science has attained to a pitch that enables us to study the natural history of hearts, when they are named and classified in genera, sub-genera, and families; into crustaceae, fossils, saurians, infusoria, or whatever it is,—then, my dear fellow, it will be ascertained that there are natures as tender and fragile as flowers, that are broken by the slight bruises that some stony hearts do not even feel——"

"For pity's sake, spare me thy exordium," said Emile, as, half plaintive, half amused, he took Raphael's hand.

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