Within a day's journey of Kennedy Square lay another wide breathing-space, its winding paths worn smooth by countless hurrying feet.
Over its flat monotony straggled a line of gnarled willows, marking the wanderings of some guileless brook long since swallowed up and lost in the mazes of the great city like many another young life fresh from green fields and sunny hill-sides. This desert of weeds and sun-dried, yellow grass, this kraal for scraggly trees and broken benches, breasted the rush of the great city as a stone breasts a stream, dividing its current--one part swirling around and up Bray to the hills and the other flowing eastward toward Harlem and the Sound. Around its four sides, fronting the four streets that hemmed it in, ran a massive iron railing, socketed in stone and made man-proof and dog-proof by four great iron gates. These gates were opened at dawn to let the restless in, and closed at night to keep the weary out.
Above these barriers of stone and iron no joyous magnolias lifted their creamy blossoms; no shy climbing roses played hide-and-seek, blushing scarlet when caught. Along its foot-worn paths no drowsy Moses ceased his droning call; no lovers walked forgetful of the world; no staid old gentlemen wandered idly, their noses in their .
All day long on its rude straight-backed benches and over its thread-bare turf sprawled unkempt women with sick babies from the shanties; squalid, noisy children from the rookeries; beggars in rags, and now and then some hopeless wayfarer--who for the moment had given up his search for work or bread and who rested or slept until the tap of a constable's club brought him to consciousness and his feet.
At night, before the gates were closed--ten o'clock was the hour--there could always be found, under its dim lamps, some tired girl, sitting in the light for better protection while she rested, or some weary laborer on the way home from his long day's work, and always passing to and fro, swinging his staff, bullying the street-rats who were playing tag among the trees, and inspiring a wholesome awe among those hiding in the shadows, lounged some guardian of the peace awaiting the hour when he could drive the inmates to the sidewalk and shut the gates behind them with a bang.
Here on one of these same straight-backed wooden seats one September night--a night when the air was heavy with a blurred haze, through which the lamps peered as in a fog, and the dust lay thick upon the leaves--sat our Oliver.
Outside the square--all about the iron fence, and surging past the big equestrian statue, could be heard the roar and din of the great city--that maelstrom which now seemed ready to engulf him. No sound of merry laughter reached him, only rumbling of countless wheels, the slow thud of never-ending, crowded stages lumbering over the cobbles, the cries of the hucksters selling hot corn, and the ceaseless scrapings of a thousand feet.
He had sat here since the sun had gone down watching the crowds, wondering how they lived and how they had earned their freedom from such cares as were now oppressing him. His heart was heavy. A long-coveted berth, meaning self-support and independence and consequent relief to his mother's heart, had been almost within his grasp. It was not the place he had expected when he left home. It was much more menial and unremunerative. But he had outlived all his bright hopes. He was ready now to take anything he could get to save him from returning to Kennedy Square, or what would be still worse --from asking his mother for a penny more than she had given him. Rather than do this he would sweep the streets.
As he leaned forward on the bench, his face in his hands, his elbows on his knees, his thoughts went back to his father's house. He knew what they were all doing at this hour; he could see the porches crowded with the boys and girls he loved, their bright voices filling the night-air, Sue in the midst of them, her curls about her face. He could see his father in the big chair reading by the lamp, that dear old father who had held his hands so tenderly and spoken with such earnestness the day before he had left Kennedy Square.
"Your mother is right," Richard had said. "I am glad you are going, my son; the men at the North are brr-minded than we are here, and you will soon find your place among them. Great things are ahead of us, my boy. I shall not live to see them, but you will."
He could see his mother, too, sitting by the window, looking out upon the trees. He knew where her thoughts lay. As his mind rested on her pale face his eyes filled with tears. "Dear old mother," he said to himself--"I am not forgetting, dear. I am holding on. But oh, if I had only got the place to-day, how happy you would be to-morrow."
A bitter feeling had risen in his heart, when he had opened the letter which had brought him the news of the loss of this hoped-for situation. "This is making one's way in the world, is it?" he had said to himself with a heavy sigh. Then the calm eyes of his mother had looked into his again, and he had felt the pressure of the soft hand and heard the tones of her voice:
"You may have many discouragements, my son, and will often be ready to faint by the way, but stick to it and you will win."
His bitterness had been but momentary, and he had soon pulled himself together, but his every resource seemed exhausted now. He had counted so on the situation--that of a shipping-clerk in a dry- goods store--promised him because of a letter that he carried from Amos Cobb's friend. But at the last moment the former clerk, who had been laid off because of sickness, had been taken back, and so the weary search for work must begin again.
And yet with everything against him Oliver had no thought of giving up the struggle. Even Amos Cobb would have been proud of him could he have seen the dogged tenacity with which he clung to his purpose--a tenacity due to his buoyant, happy temperament, or to his devotion to his mother's wishes; or (and this is more than probable) to some drops of blood, perhaps, that had reached his own through his mother's veins--the blood of that Major with the blue and buff coat, whose portrait hung in the dining-room at home, and who in the early days had braved the flood at Trenton side by side with the Hero of the Bronze Horse now overlooking the bench on which Oliver sat; or it may be of that other ancestor in the queue whose portrait hung over the mantel of the club and who had served his State with distinction in his day.
Whatever the causes of these several effects, the one dominating power which now controlled him was his veneration for his mother's name and honor. For on the night succeeding Amos Cobb's visit after she had dropped upon her knees and poured out her heart in prayer she had gone into Oliver's bedroom, and shutting the door had told him of the mortgage; of his father's embarrassment, and the danger they suffered of losing the farm--their only hope for their old age--unless success crowned Richard's inventions. With his hand fast in hers she had given him in exact detail all that she had done to ward off this calamity; recounting, word by word, what she had said to the Colonel, lowering her voice almost to a whisper as she spoke of the solemn promise she had made him--involving her own and her husband's honor--and the lengths to which she was prepared to go to keep her obligations to the bank.
Then, her hand still clasping his, the two sitting side by side on his bed, his wondering, startled eyes looking into hers--for this world of anxiety was an unknown world to him--she had by slow stages made him realize how necessary it was that he, their only son, and their sole dependence, should begin at once to earn his daily bread; not only on his own account but on hers and his father's. In her tenderness she had not told him that the real reason was his instability of purpose; fearing to wound his pride, she had put it solely on the ground of his settling down to some work.
"It is the law of nature, my son," she had added. "Everything that lives must WORK to live. You have only to watch the birds out here in the Square to convince you of that. Notice them to-morrow, when you go out. See how busy they are; see how long it takes for any one of them to get a meal. You are old enough now to begin to earn your own bread, and you must begin at once, Ollie. Your father can no longer help you. I had hoped your profession would do this for you, but that is not to be thought of now."
Oliver, at first, had been stunned by it all. He had never before given the practical side of life a single thought. Everything had gone along smoothly from his earliest remembrance. His father's house had been his home and his protection; his room with its little bed and pretty hangings and all its comforts --a room cared for like a girl's--had always been open to him. He had never once asked himself how these things came about, nor why they continued. These revelations of his mother's therefore were like the sudden opening of a door covering a vault over which he had walked unconsciously and which now, for the first time, he saw yawning beneath him.
"Poor daddy," were his first words. "I never knew a thing about his troubles; he seems always so happy and so gentle. I am so sorry--dear daddy-- dear dad--" he kept repeating.
And then as she spoke there flashed into his mind the thought of his own hopes. They were shattered now. He knew that the art career was dead for him, and that all his dreams in that direction were over.
He was about to tell her this, but he stopped before the words were formed. He would not add his own burden to her sorrow. No, he would bear it alone. He would tell Sue, but he would not tell his mother. Next there welled up in his heart a desire to help this mother whom he idolized, and this father who represented to him all that was kind and true.
"What can I do? Where can I go, dearie?" he cried with sudden resolve. "Even if I am to work with my hands I am ready to do it, but it must be away from here. I could not do it here at home with everybody looking on; no, not here! not here!"
This victory gained, the mother with infinite tact, little by little, unfolded to the son the things she had planned. Finally with her arms about his neck, smoothing his cheek with her hands she told him of Amos Cobb's advice and of his offer, adding: "He will give you a letter to his friend who lives at Haverstraw near New York, my boy, with whom you can stay until you get the situation you want."
The very impracticability of this scheme did not weigh with her. She did not see how almost hopeless would be the task of finding employment in an unknown city. Nor did the length of time her son might be a burden on a total stranger make any difference in her plans. Her own home had always been open to the friends of her friends, and for any length of time, and her inborn sense of hospitality made it impossible for her to understand any other conditions. Then again she said to herself: "Mr. Cobb is a thoroughly practical man, and a very kind one. His friend will welcome Oliver, or he would not have allowed my son to go." She had repeated, however, no word of the Vermonter's advice "to chuck the boy out neck and heels into the world and let him shift for himself," although the very Spartan quality of the suggestion, in spite of its brusqueness, had greatly pleased her. She could not but recognize that Amos understood. She would have faced the situation herself if she had been in her son's place; she said so to herself. And she hoped, too, that Oliver would face it as bravely when the time came.
As for the temptations that might assail her boy in the great city, she never gave them a thought. Neither the love of drink nor the love of play ran in her own or Richard's veins--not for generations. back. "One test of a gentleman, my son," Richard always said, "lies in the way in which he controls his appetites--in the way he regards his meat and drink. Both are foods for the mind as well as for the body, and must be used as such. Gluttons and drunkards should he classed together." No, her boy's heart might lead him astray, but not his appetites, and never his passions. She was as sure of that as she was of his love.
As she talked on, Oliver's mind, yielding to her stronger will as clay does to a sculptor's hand, began to take shape. What at first had looked like a hardship now began to have an attractive side. Perhaps the art career need not be wholly given up. Perhaps, too, there was a better field for him in New York than here--old Mr. Crocker had always told him this. Then, too, there was something of fascination after all, in going out alone like a knight-errant to conquer the world. And in that great Northern city, too, with its rush and whirl and all that it held for him of mystery! How many times had Mr. Crocker talked to him by the hour of its delights. And Ellicott's chair! Yes, he could get rid of that. And Sue? Sue would wait--she had promised him she would; no, there was no doubt about Sue! She would love him all the better if he fought his battle alone. Only the day before she had told him of the wonderful feats of the White Knight, that the new English poet had just written about and that everybody in Kennedy Square was now reading.
Above all there was the delight of another sensation --the sensation of a new move. This really pleased him best. He was apparently listening to his mother when these thoughts took possession of him, for his eyes were still fixed on hers, but he heard only a word now and then. It was his imagination that swayed him now, not his will nor his judgment. He would have his own adventures in the great city and see the world as Mr. Crocker had done, he said to himself.
"Yes, dearie, I'll go," he answered quickly. "Don't talk any more about it. I'll do just as you want me to, and I'll go anywhere you say. But about the money for my expenses? Can father give it to me?" he asked suddenly, a shade of anxiety crossing his face.
"We won't ask your father, Ollie," she said, drawing him closer to her. She knew he would yield to her wishes, and she loved him the better for it, if that were possible. "I have a little money saved which I will give you. You won't be long finding a good place."
"And how often can I come back to you?" he cried, starting up. Until now this phase of the situation had not entered his mind.
"Not often, my boy--certainly not until you can afford it. It is costly travelling. Maybe once or twice a year."
"Oh, then there's no use talking, I can't go. I can't--can't, be away from you that long. That's going to be the hardest part." He had started from his seat and, stood over her, a look of determination on his face.
"Oh, yes, you can, my son, and you will," she replied, as she too rose and stood beside him, stopping the outburst of his weakness with her calm voice, and quieting and soothing him with the soft touch of her hand, caressing his cheek with her fingers as she had so often done when he, a baby, had lain upon her breast.
Then with a smile on her face, she had kissed him good-night, closed the door, and staggering along the corridor steadying herself as she walked, her hand on the walls, had thrown herself upon her bed in an agony of tears, crying out:
"Oh, my boy--my boy! How can I give you up? And I know it is forever!"
And now here he is foot-sore and heart-sore, sitting in Union Square, New York, the roar of the great city in his ears, and here he must sit until the cattle-barge which takes him every night to the house of Amos Cobb's friend is ready to start on her voyage up the river.
He sat with his head in his hands, his elbows on his knees, not stirring until a jar on the other end of the bench roused him. A negro hod-carrier, splashed with plaster, and wearing a ragged shirt and a crownless straw hat, had taken a seat beside him. The familiarity of the act startled Oliver. No negro wayfarer would have dared so much in his own Square at home.
The man reached forward and drew closer to his own end of the bench a bundle of sawed ends and bits of wood which he had carried across the park on his shoulder.
Oliver watched him for a moment, with a feeling amounting almost to indignation. "Were the poverty and the struggle of a great city to force such familiarities upon him," he wondered. Then something in the negro's face, as he wiped the perspiration from his forehead with the back of his hand, produced a sudden change of feeling. "Was this man, too, without work?" Oliver asked himself, as he felt the negro's weariness, and realized for the first time, the common heritage of all men.
"Are you tired, Uncle?" he asked.
"Yes, a little mite. I been a-totin' dis kindlin' from way up yander in Twenty-third Street where the circus useter be. Dey's buildin' a big hotel dere now--de Fifth Avenue dey calls it. I'm a-carryin' mortar for de brick-layers an' somehow dese sticks is monst'ous heavy after workin' all day."
"Where do you live?" asked Oliver, his eyes on the kindling-wood.
"Not far from here, sah; little way dis side de Bow'ry. Whar's yo'r home?" And the old man rose to his feet and picked up his bundle.
The question staggered Oliver. He had no home, really none that he could call his own--not now.
"Oh, a long way from here," he answered, thoughtfully, without raising his head, his voice choking.
The old negro gazed at him for a moment, touched his hat respectfully, and walked toward the gate. At the entrance he wheeled about, balanced the bundle of wood on his shoulder and looked back at Oliver, who had resumed his old position, his eyes on the ground. Then he walked away, muttering:
"'Pears like he's one o' my own people calling me uncle. Spec' he ain't been long from his mammy."
Two street-rats now sneaked up toward Oliver, watched him for a moment, and whispered to each other. One threw a stone which grazed Oliver's head, the other put his hand to his mouth and yelled: "Spad, spad," at the top of his voice. Oliver understood the epithet, it meant that he wore clean linen, polished shoes, and perhaps, now and then, a pair of gloves. He had heard the same outcry in his own city, for the slang of the street-rat is Volapuk the world over. But he did not resent the assault. He was too tired to chase any boys, and too despondent to answer their taunts.
A constable, attracted by the cries of the boys, now passed in front of him swinging his long staff. He was about to tap Oliver's knees with one end of it, as a gentle reminder that he had better move on, when something in the young man's face or appearance made him change his mind.
"Hi, sonny," he cried, turning quickly and facing Olivr, "yer can't bum round here after ten, ye know. Keep yer eyes peeled for them gates, d'ye hear?"
If Oliver heard he made no reply. He was in no mood to dispute the officer's right to order him about. The gates were not the only openings shut in his face, he thought to himself; everything seemed closed against him in this great city. It was not so at home on Kennedy Square. Its fence, was a shackly, moss-covered, sagging old fence, intertwined with honeysuckles, full of holes and minus many a paling; where he could have found a dozen places to crawl through. He had done so only a few weeks before with Sue in a mad frolic across the Square. Besides, why should the constable speak to him at all? He knew all about the hour of closing the New York gates without the policeman reminding him of it. Had he not sat here every night waiting for that cattle-boat? He hated the place cordially, yet it was the only spot in that great city to which he could come and not be molested while he waited for the barges. He always selected this particular bench because it was nearest the gate that led to the bronze horse. He loved to look at its noble contour silhouetted against the sky or illumined by the street-lamps, and was seldom too tired to be inspired by it. He had never seen any work in sculpture to be compared to it, and for the first few days after his arrival, he was never content to end the day's tramping until he stood beneath it, following its outlines, his heart swelling with pride at the thought that one of his own nationality and not a European had created it. He wished that his father, who believed so in the talent of his countrymen, could see it.
Suddenly, while he was still resenting the familiarity of the constable, his ears were assailed by the cry of a dog in pain; some street-rat had kicked him.
Instantly Oliver was on his feet. A small spaniel was running toward him, followed by half a dozen boys who were pelting him with stones.
Oliver sprang forward as the dog crouched at his feet; caught him up in his arms and started for the rats, who dodged behind the tree-trunks, calling "Spad, spad," as they ran. Then came the voice of the same constable.
"Hi, yer can't bring that dog in here."
"He's not my dog, somebody has hurt him," said Oliver in an indifferent tone, examining carefully the dog's legs to see if any bones were broken.
"If that ain't your dog what yer doin' with him? See here, I been a-watchin' ye. Yer got ter move on or I'll run ye in. D'ye moind?"
Oliver's eyes flashed. In all his life no man had ever doubted his word, nor had anyone ever spoken to him in such terms.
"You can do as you please, but I will take care of this dog, no matter what happens. You ought to be ashamed of yourself to see him hurt, and not want to protect him. You're a pretty kind of an officer."
A crowd began to gather.
Oliver was standing with the dog under one arm, holding the little fellow close to his breast, the other bent with fist tight shut as if to defend himself.
"I am, am I? yer moon-faced spad! I'll show ye," and he sprang toward Oliver.
"Here now, Tim Murphy," came a sharp voice, "kape yer hands off the young gintleman. He ain't a-doin' nothin', and he ain't done nothin'. Thim divils hit the dog, I seen 'em myself."
The officer turned quickly and faced a big, br shouldered Irish woman, bare-headed, her sleeves rolled up to her elbows, every line in her kindly face replete with indignation.
"Don't put yer hands on him, or I'll go to the lock-up an' tell McManus."
"Oh, it's you, is it, Mrs. Mulligan?" said the officer, in a conciliatory tone.
"Yes, it's me. The young gintleman's right. It's the b'ys ye oughter club into shape, not be foolin' yer time over the dog."
"Well, ye know it's agin the rules to let dogs inside the gates," he retorted as he continued his stroll along the walk, swinging his club as he went, puffing out his chest and cheeks with his old air as he moved toward the gate.
"Yes, an' so it's agin the rules," she called after him, "to have them rapscallions yellin' like mad an' howlin' bloody murder when a body comes up here to git a breath o' air."
"Is the dog hurt, sir?" and she stepped close to Oliver and laid her big hand on the dog's head, as it lay nestling close to Oliver's side.
"No, I don't think so--he would have been if I had not got him."
The dog, under the caress, raised his head, and a slight movement of his tail expressed his pleasure. Then his ears shot forward. A young man about Oliver's own age was rapidly walking up the path, with a quick, springy step, whistling as he came. The dog, with a sudden movement, squirmed himself from under Oliver's arm and sprang toward him.
"Oh, it's you, Mr. Fred, is it?" broke out the woman, "and it's Miss Margaret's dog, too. Of course it's her dog, an' I was that dumb I didn't know it.But it's not me ye can thank for savin' its skin --it's the young gintleman here. Them divils would have killed it but for him."
"Is the dog yours, sir?" asked Oliver, raising his hat with that peculiar manner of his which always won him friends at first sight.
"No, I wish it were. It's Miss Margaret Grant's dog--one of our students. I am taking care of it while she is away. The little rascal ran out and got into the Square before I knew it. I live right across the street--you can see my house from here. Miss Grant will be ever so much obliged to you for protecting him."
"Oh, don't mention it. I got hold of him just in time, or these ruffians would have hurt him. I think the old lady here, however, is most to be thanked. We might both have been locked up," he added, smiling, "if she had not interfered. You know her, it seems."
"Yes, she's Mother Mulligan, as we call her. She's janitress of the Academy of Design, where I draw at night. My name's Fred Stone. Come over to where I live--it's only a step," and he looked straight into Oliver's face, his big blue eyes never wavering.
"Well, I will if you don't think it's too late," and the two young fellows, with a wave of their hands to the old woman, left the Square, the dog bounding before them.
Within the hour--in less time indeed, for the friendly light in the eyes of his new-found friend had shone straight into our boy's soul, warming and cheering him to his finger-tips, opening his heart, and bringing out all his secrets--Oliver had told Fred the story of his fruitless tramps for work; of his mother's hopes and fears; of his own ambitions and his aims. And Fred, his own heart wide open, had told Oliver with equal frankness the story of his own struggles; of his leaving his father's farm in the western part of the State, and of his giving up everything to come to New York to study art.
It was the old, old story of two chance acquaintances made friends by reason of the common ground of struggle and privation on which they stood; comrades fighting side by side in the same trenches for the same end, and both dreaming of the morrow which would always bring victory and never death. A story told without reserve, for the disappointments of life had not yet dulled their enthusiasm, nor had the caution acquired by its many bitter experiences yet checked the free flow of their confidences.
To Oliver, in his present despondent mood, the hand held out to him was more than the hand of a comrade. It was the hand of a strong swimmer thrust into the sea to save a drowning man. There were others then besides himself, he thought, as he grasped it, who were making this fight for bread and glory; there was something else in the great city besides cruelty and misery, money-getting and money- spending--something of unselfishness, sympathy and love.
The two sat on the steps of Fred's boarding-house --that house where Oliver was to spend so many happy days of his after-life--until there was only time enough to catch the barge. Reluctantly he bade his new-found comrade good-by and, waving his hand, turned the corner in the direction of the dock.
The edge of Oliver's cloud had at last caught the light!
This book comes from：m.funovel.com。