SONG.
I.
Strive not, vain lover, to be fine;
Thy silk's the silk-worm's, and not thine:
You lessen to a fly your mistriss' thought,
To think it may be in a cobweb caught.
What, though her thin transparent lawn
Thy heart in a strong net hath drawn:
Not all the arms the god of fire ere made
Can the soft bulwarks of nak'd love invade.
II.
Be truly fine, then, and yourself dress
In her fair soul's immac'late glass.
Then by reflection you may have the bliss
Perhaps to see what a true fineness is;
When all your gawderies will fit
Those only that are poor in wit.
She that a clinquant outside doth adore,
Dotes on a gilded statue and no more.
IN ALLUSION TO THE FRENCH SONG.
N' ENTENDEZ VOUS PAS CE LANGUAGE.
CHORUS. THEN UNDERSTAND YOU NOT (FAIR CHOICE) THIS LANGUAGE WITHOUT TONGUE OR VOICE?
I.
How often have my tears
Invaded your soft ears,
And dropp'd their silent chimes
A thousand thousand times?
Whilst echo did your eyes,
And sweetly sympathize;
But that the wary lid
Their sluces did forbid.
Cho. THEN UNDERSTAND YOU NOT (FAIR CHOICE)
THIS LANGUAGE WITHOUT TONGUE OR VOICE?
II.
My arms did plead my wound,
Each in the other bound;
Volleys of sighs did crowd,
And ring my griefs alowd;
Grones, like a canon-ball,
Batter'd the marble wall,
That the kind neighb'ring grove
Did mutiny for love.
Cho. THEN UNDERSTAND YOU NOT (FAIR CHOICE)
THIS LANGUAGE WITHOUT TONGUE OR VOICE?
III.
The rheth'rick of my hand
Woo'd you to understand;
Nay, in our silent walk
My very feet would talk;
My knees were eloquent,
And spake the love I meant;
But deaf unto that ayr,
They, bent, would fall in prayer.
Cho. YET UNDERSTAND YOU NOT (FAIR CHOICE)
THIS LANGUAGE WITHOUT TONGUE OR VOICE?
IV.
No? Know, then, I would melt
On every limb I felt,
And on each naked part
Spread my expanded heart,
That not a vein of thee
But should be fill'd with mee.
Whilst on thine own down, I
Would tumble, pant, and dye.
Cho. YOU UNDERSTAND NOT THIS (FAIR CHOICE);
THIS LANGUAGE WANTS BOTH TONGUE AND VOICE.
COURANTE68.1 MONSIEUR.
That frown, Aminta, now hath drown'd
Thy bright front's pow'r, and crown'd
Me that was bound.
No, no, deceived cruel, no!
Love's fiery darts,
Till tipt with kisses, never kindle hearts.
Adieu, weak beauteous tyrant, see!
Thy angry flames meant me,68.2
Retort on thee:
For know, it is decreed, proud fair,
I ne'r must dye
By any scorching, but a melting, eye.
68.1 COURANTE was a favourite dance and dance-tune. It is still known under the same name.
68.2 i.e. THAT meant me, which was intended for me.
A LOOSE SARABAND.
I.
Nay, prethee, dear, draw nigher,
Yet closer, nigher yet;
Here is a double fire,
A dry one and a wet.
True lasting heavenly fuel
Puts out the vestal jewel,
When once we twining marry
Mad love with wild canary.
II.
Off with that crowned Venice,69.1
'Till all the house doth flame,
Wee'l quench it straight in Rhenish,
Or what we must not name.
Milk lightning still asswageth;
So when our fury rageth,
As th' only means to cross it,
Wee'l drown it in love's posset.
III.
Love never was well-willer
Unto my nag or mee,
Ne'r watter'd us ith' cellar,
But the cheap buttery.
At th' head of his own barrells,
Where broach'd are all his quarrels,
Should a true noble master
Still make his guest his taster.
IV.
See, all the world how't staggers,
More ugly drunk then we,
As if far gone in daggers
And blood it seem'd to be.
We drink our glass of roses,
Which nought but sweets discloses:
Then in our loyal chamber
Refresh us with love's amber.
V.
Now tell me, thou fair cripple,
That dumb canst scarcely see
Th' almightinesse of tipple,
And th' ods 'twixt thee and thee,
What of Elizium's missing,
Still drinking and still kissing;
Adoring plump October;
Lord! what is man, and69.2 sober?
VI.
Now, is there such a trifle
As honour, the fools gyant,
What is there left to rifle,
When wine makes all parts plyant?
Let others glory follow,
In their false riches wallow,
And with their grief be merry:
Leave me but love and sherry.
69.1 QU. a crowned goblet of Venice glass.
69.2 i.e. if.
THE FALCON.
Fair Princesse of the spacious air,
That hast vouchsaf'd acquaintance here,
With us are quarter'd below stairs,
That can reach heav'n with nought but pray'rs;
Who, when our activ'st wings we try,
Advance a foot into the sky.
Bright heir t' th' bird imperial,
From whose avenging penons fall
Thunder and lightning twisted spun!
Brave cousin-german to the Sun!
That didst forsake thy throne and sphere,
To be an humble pris'ner here;
And for a pirch of her soft hand,
Resign the royal woods' command.
How often would'st thou shoot heav'ns ark,
Then mount thy self into a lark;
And after our short faint eyes call,
When now a fly, now nought at all!
Then stoop so swift unto our sence,
As thou wert sent intelligence!
Free beauteous slave, thy happy feet
In silver fetters vervails70.1 meet,
And trample on that noble wrist,
The gods have kneel'd in vain t' have kist.
But gaze not, bold deceived spye,
Too much oth' lustre of her eye;
The Sun thou dost out stare, alas!
Winks at the glory of her face.
Be safe then in thy velvet helm,
Her looks are calms that do orewhelm,
Then the Arabian bird more blest,
Chafe in the spicery of her breast,
And loose you in her breath a wind
Sow'rs the delicious gales of Inde.
But now a quill from thine own wing
I pluck, thy lofty fate to sing;
Whilst we behold the varions fight
With mingled pleasure and affright;
The humbler hinds do fall to pray'r,
As when an army's seen i' th' air,
And the prophetick spannels run,
And howle thy epicedium.
The heron mounted doth appear
On his own Peg'sus a lanceer,
And seems, on earth when he doth hut,
A proper halberdier on foot;
Secure i' th' moore, about to sup,
The dogs have beat his quarters up.
And now he takes the open air,
Drawes up his wings with tactick care;
Whilst th' expert falcon swift doth climbe
In subtle mazes serpentine;
And to advantage closely twin'd
She gets the upper sky and wind,
Where she dissembles to invade,
And lies a pol'tick ambuscade.
The hedg'd-in heron, whom the foe
Awaits above, and dogs below,
In his fortification lies,
And makes him ready for surprize;
When roused with a shrill alarm,
Was shouted from beneath: they arm.
The falcon charges at first view
With her brigade of talons, through
Whose shoots, the wary heron beat
With a well counterwheel'd retreat.
But the bold gen'ral, never lost,
Hath won again her airy post;
Who, wild in this affront, now fryes,
Then gives a volley of her eyes.
The desp'rate heron now contracts
In one design all former facts;
Noble, he is resolv'd to fall,
His and his en'mies funerall,
And (to be rid of her) to dy,
A publick martyr of the sky.
When now he turns his last to wreak
The palizadoes of his beak,
The raging foe impatient,
Wrack'd with revenge, and fury rent,
Swift as the thunderbolt he strikes
Too sure upon the stand of pikes;
There she his naked breast doth hit,
And on the case of rapiers's split.
But ev'n in her expiring pangs
The heron's pounc'd within her phangs,
And so above she stoops to rise,
A trophee and a sacrifice;
Whilst her own bells in the sad fall
Ring out the double funerall.
Ah, victory, unhap'ly wonne!
Weeping and red is set the Sun;
Whilst the whole field floats in one tear,
And all the air doth mourning wear.
Close-hooded all thy kindred come
To pay their vows upon thy tombe;
The hobby70.2 and the musket70.3 too
Do march to take their last adieu.
The lanner70.4 and the lanneret70.5
Thy colours bear as banneret;
The GOSHAWK and her TERCEL70.6 rows'd
With tears attend thee as new bows'd,
All these are in their dark array,
Led by the various herald-jay.
But thy eternal name shall live
Whilst quills from ashes fame reprieve,
Whilst open stands renown's wide dore,
And wings are left on which to soar;
Doctor robbin, the prelate pye,
And the poetick swan, shall dye,
Only to sing thy elegie.
70.1 i.e. VERVELS. See Halliwell's DICTIONARY OF ARCHAIC AND PROVINCIAL WORDS, art. VERVEL.
70.2 A kind of falcon. It is the FALCO SUBBUTEO of Linnaeus. Lyly, in his EUPHUES (1579, fol. 28), makes Lucilla say— "No birde can looke agains the Sunne, but those that bee bredde of the eagle, neyther any hawke soare so hie as the broode of the hobbie."
"Then rouse thee, muse, each little hobby plies
At scarabes and painted butterflies."
Wither's ABUSES STRIPT AND WHIPT, 1613.
70.3 The young male sparrow-hawk.
70.4 The FALCO LANIARIUS of Linnaeus.
70.5 The female of the LANNER. Latham (Faulconrie, lib. ii. chap. v. ed. 1658), explains the difference between the LANNER and the GOSHAWK.
70.6 Here used for the female of the goshawk. TIERCEL and TASSEL are other forms of the same word. See Strutt's SPORTS AND PASTIMES, ed. Hone, 1845, p. 37.
LOVE MADE IN THE FIRST AGE.
TO CHLORIS.
I.
In the nativity of time,
Chloris! it was not thought a crime
In direct Hebrew for to woe.
Now wee make love, as all on fire,
Ring retrograde our lowd desire,
And court in English backward too.
II.
Thrice happy was that golden age,
When complement was constru'd rage,
And fine words in the center hid;
When cursed NO stain'd no maid's blisse,
And all discourse was summ'd in YES,
And nought forbad, but to forbid.
III.71.1
Love then unstinted love did sip,
And cherries pluck'd fresh from the lip,
On cheeks and roses free he fed;
Lasses, like Autumne plums, did drop,
And lads indifferently did drop
A flower and a maiden-head.
IV.
Then unconfined each did tipple
Wine from the bunch, milk from the nipple;
Paps tractable as udders were.
Then equally the wholsome jellies
Were squeez'd from olive-trees and bellies:
Nor suits of trespasse did they fear.
V.
A fragrant bank of strawberries,
Diaper'd with violets' eyes,
Was table, table-cloth and fare;
No palace to the clouds did swell,
Each humble princesse then did dwell
In the Piazza of her hair.
VI.
Both broken faith and th' cause of it,
All-damning gold, was damn'd to th' pit;
Their troth seal'd with a clasp and kisse,
Lasted until that extreem day,
In which they smil'd their souls away,
And in each other breath'd new blisse.
VII.
Because no fault, there was no tear;
No grone did grate the granting ear,
No false foul breath, their del'cat smell.
No serpent kiss poyson'd the tast,
Each touch was naturally chast,
And their mere Sense a Miracle.
VIII.
Naked as their own innocence,
And unembroyder'd from offence,
They went, above poor riches, gay;
On softer than the cignet's down,
In beds they tumbled off their own:
For each within the other lay.
IX.
Thus did they live: thus did they love,
Repeating only joyes above,
And angels were but with cloaths on,
Which they would put off cheerfully,
To bathe them in the Galaxie,
Then gird them with the heavenly zone.
X.
Now, Chloris! miserably crave
The offer'd blisse you would not have,
Which evermore I must deny:
Whilst ravish'd with these noble dreams,
And crowned with mine own soft beams,
Injoying of my self I lye.
71.1 This and the succeeding stanza are omitted by Mr. Singer in his reprint.
TO A LADY WITH CHILD THAT ASK'D AN OLD SHIRT.72.1
And why an honour'd ragged shirt, that shows,
Like tatter'd ensigns, all its bodie's blows?
Should it be swathed in a vest so dire,
It were enough to set the child on fire;
Dishevell'd queen[s] should strip them of their hair,
And in it mantle the new rising heir:
Nor do I know ought worth to wrap it in,
Except my parchment upper-coat of skin;
And then expect no end of its chast tears,
That first was rowl'd in down, now furs of bears.
But since to ladies 't hath a custome been
Linnen to send, that travail and lye in;
To the nine sempstresses, my former friends,
I su'd; but they had nought but shreds and ends.
At last, the jolli'st of the three times three
Rent th' apron from her smock, and gave it me;
'Twas soft and gentle, subt'ly spun, no doubt;
Pardon my boldnese, madam; HERE'S THE CLOUT.
72.1 A portion of this little poem is quoted in Brand's POPULAR ANTIQUITIES (edit. 1849, ii. 70), as an illustration of the custom to which it refers. No second example of such an usage seems to have been known to Brand and his editors.
P. 183. TO A LADY WITH CHILDE THAT ASK'T AN OLD SHIRT. The custom to which the Poet here refers, was no doubt common in his time; although the indefatigable Brand does not appear to have met with any illustration of it, except in LUCASTA. But since the note at p. 183 i.e. note 72.1 was written, the following passage in the old morality of THE MARRIAGE OF WIT AND WISDOM (circa 1570) has come under my notice:—
"INDULGENCE [to her son WIT].
Well, yet before the goest, hold heare
MY BLESSING IN A CLOUTE,
WELL FARE THE MOTHER AT A NEEDE,
Stand to thy tackling stout."
The allusion is to the contemplated marriage of WIT to his betrothed, WISDOM.
SONG.
I.
In mine one monument I lye,
And in my self am buried;
Sure, the quick lightning of her eye
Melted my soul ith' scabberd dead;
And now like some pale ghost I walk,
And with another's spirit talk.
II.
Nor can her beams a heat convey,
That may my frozen bosome warm,
Unless her smiles have pow'r, as they,
That a cross charm can countercharm.
But this is such a pleasing pain,
I'm loth to be alive again.
ANOTHER.
I did believe I was in heav'n,
When first the heav'n her self was giv'n,
That in my heart her beams did passe
As some the sun keep in a glasse,
So that her beauties thorow me
Did hurt my rival-enemy.
But fate, alas! decreed it so,
That I was engine to my woe:
For, as a corner'd christal spot,
My heart diaphanous was not;
But solid stuffe, where her eye flings
Quick fire upon the catching strings:
Yet, as at triumphs in the night,
You see the Prince's Arms in light,
So, when I once was set on flame,
I burnt all ore the letters of her name.
ODE.
I.
You are deceiv'd; I sooner may, dull fair,
Seat a dark Moor in Cassiopea's73.1 chair,
Or on the glow-worm's uselesse light
Bestow the watching flames of night,
Or give the rose's breath
To executed death,
Ere the bright hiew
Of verse to you;
It is just Heaven on beauty stamps a fame,
And we, alas! its triumphs but proclaim.
II.
What chains but are too light for me, should I
Say that Lucasta in strange arms could lie?
Or that Castara73.2 were impure;
Or Saccarisa's73.3 faith unsure?
That Chloris' love, as hair,
Embrac'd each en'mies air;
That all their good
Ran in their blood?
'Tis the same wrong th' unworthy to inthrone,
As from her proper sphere t' have vertue thrown.
III.
That strange force on the ignoble hath renown;
As AURUM FULMINANS, it blows vice down.
'Twere better (heavy one) to crawl
Forgot, then raised, trod on [to] fall.
All your defections now
Are not writ on your brow;
Odes to faults give
A shame must live.
When a fat mist we view, we coughing run;
But, that once meteor drawn, all cry: undone.
IV.
How bright the fair Paulina73.4 did appear,
When hid in jewels she did seem a star!
But who could soberly behold
A wicked owl in cloath of gold,
Or the ridiculous Ape
In sacred Vesta's shape?
So doth agree
Just praise with thee:
For since thy birth gave thee no beauty, know,
No poets pencil must or can do so.
73.1 The constellation so called. In old drawings Cassiopeia is represented as a woman sitting in a chair with a branch in her hand, and hence the allusion here. Dixon, in his CANIDIA, 1683, part i. p. 35, makes his witches say:—
"We put on Berenice's hair,
And sit in Cassiopeia's chair."
Randolph couples it with "Ariadne's Crowne" in the following passage:—
"Shine forth a constellation, full and bright,
Bless the poor heavens with more majestick light,
Who in requitall shall present you there
ARIADNE'S CROWNE and CASSIOPEIA'S CHAYR."
POEMS, ed. 1640, p. 14.
73.2 William Habington published his poems under the name of CASTARA, a fictitious appellation signifying the daughter of Lord Powis. This lady was eventually his wife. The first edition of CASTARA appeared in 1634, the second in 1635, and the third in 1640.
73.3 Waller's SACHARISSA, i.e. Lady Dorothy Sydney.
73.4 Lollia Paulina, who first married Memmius Regulus, and subsequently the Emperor Caligula, from both of whom she was divorced. She inherited from her father enormous wealth.
THE DUELL.
I.
Love drunk, the other day, knockt at my brest,
But I, alas! was not within.
My man, my ear, told me he came t' attest,
That without cause h'd boxed him,
And battered the windows of mine eyes,
And took my heart for one of's nunneries.
II.
I wondred at the outrage safe return'd,
And stormed at the base affront;
And by a friend of mine, bold faith, that burn'd,
I called him to a strict accompt.
He said that, by the law, the challeng'd might
Take the advantage both of arms and fight.
III.
Two darts of equal length and points he sent,
And nobly gave the choyce to me,
Which I not weigh'd, young and indifferent,
Now full of nought but victorie.
So we both met in one of's mother's groves,
The time, at the first murm'ring of her doves.
IV.
I stript myself naked all o're, as he:
For so I was best arm'd, when bare.
His first pass did my liver rase: yet I
Made home a falsify74.1 too neer:
For when my arm to its true distance came,
I nothing touch'd but a fantastick flame.
V.
This, this is love we daily quarrel so,
An idle Don-Quichoterie:
We whip our selves with our own twisted wo,
And wound the ayre for a fly.
The only way t' undo this enemy
Is to laugh at the boy, and he will cry.
74.1 "To falsify a thrust," says Phillips (WORLD OF WORDS, ed. 1706, art. FALSIFY), "is to make a feigned pass." Lovelace here employs the word as a substantive rather awkwardly; but the meaning is, no doubt, the same.
CUPID FAR GONE.
I.
What, so beyond all madnesse is the elf,
Now he hath got out of himself!
His fatal enemy the Bee,
Nor his deceiv'd artillerie,
His shackles, nor the roses bough
Ne'r half so netled him, as he is now.
II.75.1
See! at's own mother he is offering;
His finger now fits any ring;
Old Cybele he would enjoy,
And now the girl, and now the boy.
He proffers Jove a back caresse,
And all his love in the antipodes.
III.
Jealous of his chast Psyche, raging he
Quarrels with75.2 student Mercurie,
And with a proud submissive breath
Offers to change his darts with Death.
He strikes at the bright eye of day,
And Juno tumbles in her milky way.
IV.
The dear sweet secrets of the gods he tells,
And with loath'd hate lov'd heaven he swells;
Now, like a fury, he belies
Myriads of pure virginities,
And swears, with this false frenzy hurl'd,
There's not a vertuous she in all the world.
V.
Olympus he renownces, then descends,
And makes a friendship with the fiends;
Bids Charon be no more a slave,
He Argos rigg'd with stars shall have,
And triple Cerberus from below
Must leash'd t' himself with him a hunting go.
75.1 This stanza was suppressed by Mr. Singer.
75.2 Original reads THE.
A MOCK SONG.
I.
Now Whitehall's in the grave,
And our head is our slave,
The bright pearl in his close shell of oyster;
Now the miter is lost,
The proud Praelates, too, crost,
And all Rome's confin'd to a cloister.
He, that Tarquin was styl'd,
Our white land's exil'd,
Yea, undefil'd;
Not a court ape's left to confute us;
Then let your voyces rise high,
As your colours did flye,
And flour'shing cry:
Long live the brave Oliver-Brutus.76.1
II.
Now the sun is unarm'd,
And the moon by us charm'd,
All the stars dissolv'd to a jelly;
Now the thighs of the Crown
And the arms are lopp'd down,
And the body is all but a belly.
Let the Commons go on,
The town is our own,
We'l rule alone:
For the Knights have yielded their spent-gorge;
And an order is tane
With HONY SOIT profane,
Shout forth amain:
For our Dragon hath vanquish'd the St. George.
76.1 Cromwell.
A FLY CAUGHT IN A COBWEB.
Small type of great ones, that do hum
Within this whole world's narrow room,
That with a busie hollow noise
Catch at the people's vainer voice,
And with spread sails play with their breath,
Whose very hails new christen death.
Poor Fly, caught in an airy net,
Thy wings have fetter'd now thy feet;
Where, like a Lyon in a toyl,
Howere thou keep'st a noble coyl,
And beat'st thy gen'rous breast, that o're
The plains thy fatal buzzes rore,
Till thy all-bellyd foe (round elf77.1)
Hath quarter'd thee within himself.
Was it not better once to play
I' th' light of a majestick ray,
Where, though too neer and bold, the fire
Might sindge thy upper down attire,
And thou i' th' storm to loose an eye.
A wing, or a self-trapping thigh:
Yet hadst thou fal'n like him, whose coil
Made fishes in the sea to broyl,
When now th'ast scap'd the noble flame;
Trapp'd basely in a slimy frame,
And free of air, thou art become
Slave to the spawn of mud and lome?
Nor is't enough thy self do's dresse
To thy swoln lord a num'rous messe,
And by degrees thy thin veins bleed,
And piecemeal dost his poyson feed;
But now devour'd, art like to be
A net spun for thy familie,
And, straight expanded in the air,
Hang'st for thy issue too a snare.
Strange witty death and cruel ill
That, killing thee, thou thine dost kill!
Like pies, in whose entombed ark
All fowl crowd downward to a lark,
Thou art thine en'mies' sepulcher,
And in thee buriest, too, thine heir.
Yet Fates a glory have reserv'd
For one so highly hath deserv'd.
As the rhinoceros doth dy
Under his castle-enemy,
As through the cranes trunk throat doth speed,
The aspe doth on his feeder feed;
Fall yet triumphant in thy woe,
Bound with the entrails of thy foe.
77.1 The spider.
A FLY ABOUT A GLASSE OF BURNT CLARET.
I.
Forbear this liquid fire, Fly,
It is more fatal then the dry,
That singly, but embracing, wounds;
And this at once both burns and drowns.
II.
The salamander, that in heat
And flames doth cool his monstrous sweat,
Whose fan a glowing cake is said,
Of this red furnace is afraid.
III.
Viewing the ruby-christal shine,
Thou tak'st it for heaven-christalline;
Anon thou wilt be taught to groan:
'Tis an ascended Acheron.
IV.
A snow-ball heart in it let fall,
And take it out a fire-ball;
Ali icy breast in it betray'd
Breaks a destructive wild granade.
V.
'Tis this makes Venus altars shine,
This kindles frosty Hymen's pine;
When the boy grows old in his desires,
This flambeau doth new light his fires.
VI.
Though the cold hermit over wail,
Whose sighs do freeze, and tears drop hail,
Once having pass'd this, will ne'r
Another flaming purging fear.
VII.
The vestal drinking this doth burn
Now more than in her fun'ral urn;
Her fires, that with the sun kept race,
Are now extinguish'd by her face.
VIII.
The chymist, that himself doth still,78.1
Let him but tast this limbecks78.2 bill,
And prove this sublimated bowl,
He'll swear it will calcine a soul.
IX.
Noble, and brave! now thou dost know
The false prepared decks below,
Dost thou the fatal liquor sup,
One drop, alas! thy barque blowes up.
X.
What airy country hast to save,
Whose plagues thou'lt bury in thy grave?
For even now thou seem'st to us
On this gulphs brink a Curtius.
XI.
And now th' art faln (magnanimous Fly)
In, where thine Ocean doth fry,
Like the Sun's son, who blush'd the flood
To a complexion of blood.
XII.
Yet, see! my glad auricular
Redeems thee (though dissolv'd) a star,
Flaggy78.3 thy wings, and scorch'd thy thighs,
Thou ly'st a double sacrifice.
XIII.
And now my warming, cooling breath
Shall a new life afford in death;
See! in the hospital of my hand
Already cur'd, thou fierce do'st stand.
XIV.
Burnt insect! dost thou reaspire
The moist-hot-glasse and liquid fire?
I see 'tis such a pleasing pain,
Thou would'st be scorch'd and drown'd again.
78.1 i.e. distil.
78.2 Lovelace was by no means peculiar in the fondness which he has shown in this poem and elsewhere for figures drawn from the language of alchemy.
"Retire into thy grove of eglantine,
Where I will all those ravished sweets distill
Through Love's alembic, and with chemic skill
From the mix'd mass one sovereign balm derive."
Carew's POEMS (1640), ed. 1772, p. 77.
"——I will try
From the warm limbeck of my eye,
In such a method to distil
Tears on thy marble nature——"
Shirley's POEMS (Works by Dyce, vi. 407).
"Nature's Confectioner, the BEE,
Whose suckers are moist ALCHYMIE,
The still of his refining Mould,
Minting the garden into gold."
Cleveland's POEMS, ed. 1669, p. 4.
"Fisher is here with purple wing,
Who brings me to the Spring-head, where
Crystall is Lymbeckt all the year."
Lord Westmoreland's OTIA SACRA, 1648, p. 137,
78.3 WEAK. The word was once not very uncommon in writings. Bacon, Spenser, c. use it; but it is now, I believe, confined to Somersetshire and the bordering counties.
"LUKE. A south wind
Shall sooner soften marble, and the rain,
That slides down gently from his flaggy wings,
O'erflow the Alps."
Massinger's CITY MADAM, 1658.
FEMALE GLORY.
Mongst the worlds wonders, there doth yet remain
One greater than the rest, that's all those o're again,
And her own self beside: A Lady, whose soft breast
Is with vast honours soul and virtues life possest.
Fair as original light first from the chaos shot,
When day in virgin-beams triumph'd, and night was not,
And as that breath infus'd in the new-breather good,
When ill unknown was dumb, and bad not understood;
Chearful, as that aspect at this world's finishing,
When cherubims clapp'd wings, and th' sons of Heaven did sing;
Chast as th' Arabian bird, who all the ayr denyes,79.1
And ev'n in flames expires, when with her selfe she lyes.
Oh! she's as kind as drops of new faln April showers,
That on each gentle breast spring fresh perfuming flowers;
She's constant, gen'rous, fixt; she's calm, she is the all
We can of vertue, honour, faith, or glory call,
And she is (whom I thus transmit to endless fame)
Mistresse oth' world and me, and LAURA is her name.
79.1 The Phoenix.
A DIALOGUE. LUTE AND VOICE.
L. Sing, Laura, sing, whilst silent are the sphears,
And all the eyes of Heaven are turn'd to ears.
V. Touch thy dead wood, and make each living tree
Unchain its feet, take arms, and follow thee.
CHORUS.
L. Sing. V. Touch. 0 Touch. L. 0 Sing.
BOTH. It is the souls, souls sole offering.
V. Touch the divinity of thy chords, and make
Each heart string tremble, and each sinew shake.
L. Whilst with your voyce you rarifie the air,
None but an host of angels hover here.
CHORUS. SING, TOUCH, c.
V. Touch thy soft lute, and in each gentle thread
The lyon and the panther captive lead.
L. Sing, and in heav'n inthrone deposed love,
Whilst angels dance, and fiends in order move.
DOUBLE CHORUS.
What sacred charm may this then be
In harmonie,
That thus can make the angels wild,
The devils mild,
And teach80.1 low hell to heav'n to swell,
And the high heav'n to stoop to hell?
80.1 Original and Singer read REACH.
A MOCK CHARON.
DIALOGUE.
CHA. W.
W. Charon! thou slave! thou fooll! thou cavaleer!81.1
CHA. A slave! a fool! what traitor's voice I hear?
W. Come bring thy boat. CH. No, sir. W. No! sirrah, why?
CHA. The blest will disagree, and fiends will mutiny
At thy, at thy [un]numbred treachery.
W. Villain, I have a pass which who disdains,
I will sequester the Elizian plains.
CHA. Woes me, ye gentle shades! where shall I dwell?
He's come! It is not safe to be in hell.
CHORUS.
Thus man, his honor lost, falls on these shelves;
Furies and fiends are still true to themselves.
CHA. You must, lost fool, come in. W. Oh, let me in!
But now I fear thy boat will sink with my ore-weighty sin.
Where, courteous Charon, am I now? CHA. Vile rant!81.2
At the gates of thy supreme Judge Rhadamant.
DOUBLE CHORUS OF DIVELS.
Welcome to rape, to theft, to perjurie,
To all the ills thou wert, we canot hope to be;
Oh, pitty us condemned! Oh, cease to wooe,
And softly, softly breath, least you infect us too.
81.1 This word is used here merely to denote a GALLANT, a FELLOW. From being in its primitive sense a most honourable appellation, it became, during and after the civil war between Charles and the Parliament, a term of equivocal import.
81.2 Here equivalent to RANTER, and used for the sake of the metre.
THE TAND SPYDER.
A DUELL.
Upon a day, when the Dog-star
Unto the world proclaim'd a war,
And poyson bark'd from black throat,
And from his jaws infection shot,
Under a deadly hen-bane shade
With slime infernal mists are made,
Met the two dreaded enemies,
Having their weapons in their eyes.
First from his den rolls forth that l
Of spite and hate, the speckl'd t
And from his chaps a foam doth spawn,
Such as the loathed three heads yawn;
Defies his foe with a fell spit,
To wade through death to meet with it;
Then in his self the lymbeck turns,
And his elixir'd poyson urns.
Arachne, once the fear oth' maid82.1
Coelestial, thus unto her pray'd:
Heaven's blew-ey'd daughter, thine own mother!
The Python-killing Sun's thy brother.
Oh! thou, from gods that didst descend,
With a poor virgin to contend,
Shall seed of earth and hell ere be
A rival in thy victorie?
Pallas assents: for now long time
And pity had clean rins'd her crime;
When straight she doth with active fire
Her many legged foe inspire.
Have you not seen a charact82.2 lie
A great cathedral in the sea,
Under whose Babylonian walls
A small thin frigot almshouse stalls?
So in his slime the tdoth float
And th' spyder by, but seems his boat.
And now the naumachie82.3 begins;
Close to the surface her self spins:
Arachne, when her foe lets flye
A brside of his breath too high,
That's over-shot, the wisely-stout,
Advised maid doth tack about;
And now her pitchy barque doth sweat,
Chaf'd in her own black fury wet;
Lasie and cold before, she brings
New fires to her contracted stings,
And with discolour'd spumes doth blast
The herbs that to their center hast.
Now to the neighb'ring henbane top
Arachne hath her self wound up,
And thence, from its dilated leaves,
By her own cordage downwards weaves,
And doth her town of foe attack,82.4
And storms the rampiers82.5 of his back;
Which taken in her colours spread,
March to th' citadel of's head.
Now as in witty torturing Spain,
The brain is vext to vex the brain,
Where hereticks bare heads are arm'd
In a close helm, and in it charm'd
An overgrown and meagre rat,
That peece-meal nibbles himself fat;
So on the t blew-checquer'd scull
The spider gluttons her self full.
And vomiting her Stygian seeds,
Her poyson on his poyson feeds.
Thus the invenom'd t now grown
Big with more poyson than his own,
Doth gather all his pow'rs, and shakes
His stormer in's disgorged lakes;
And wounded now, apace crawls on
To his next plantane surgeon,82.6
With whose rich balm no sooner drest,
But purged is his sick swoln breast;
And as a glorious combatant,
That only rests awhile to pant,
Then with repeated strength and scars,
That smarting fire him new to wars,
Deals blows that thick themselves prevent,
As they would gain the time he spent.
So the disdaining angry t
That calls but a thin useless l
His fatal feared self comes back
With unknown venome fill'd to crack.
Th' amased spider, now untwin'd,
Hath crept up, and her self new lin'd
With fresh salt foams and mists, that blast
The ambient air as they past.
And now me thinks a Sphynx's wing
I pluck, and do not write, but sting;
With their black blood my pale inks blent,82.7
Gall's but a faint ingredient.
The pol'tick tdoth now withdraw,
Warn'd, higher in CAMPANIA.82.8
There wisely doth, intrenched deep,
His body in a body keep,
And leaves a wide and open pass
T' invite the foe up to his jaws,
Which there within a foggy blind
With fourscore fire-arms were lin'd.
The gen'rous active spider doubts
More ambuscadoes than redoubts;
So within shot she doth pickear,82.9
Now gall's the flank, and now the rear;
As that82.10 the tin's own dispite
Must change the manner of his fight,
Who, like a glorious general,
With one home-charge lets fly at all.
Chaf'd with a fourfold ven'mous foam
Of scorn, revenge, his foes and 's own,
He seats him in his loathed chair,
New-made him by each mornings air,
With glowing eyes he doth survey
Th' undaunted hoast he calls his prey;
Then his dark spume he gred'ly laps,
And shows the foe his grave, his chaps.
Whilst the quick wary Amazon
Of 'vantage takes occasion,
And with her troop of leggs carreers
In a full speed with all her speers.
Down (as some mountain on a mouse)
On her small cot he flings his house;
Without the poyson of the elf,
The thad like t' have burst himself:
For sage Arachne with good heed
Had stopt herself upon full speed,
And, 's body now disorder'd, on
She falls to execution.
The passive tnow only can
Contemn and suffer. Here began
The wronged maids ingenious rage,
Which his heart venome must asswage.
One eye she hath spet out, strange smother,
When one flame doth put out another,
And one eye wittily spar'd, that he
Might but behold his miserie.
She on each spot a wound doth print,
And each speck hath a sting within't;
Till he but one new blister is,
And swells his own periphrasis.
Then fainting, sick, and yellow-pale,
She baths him with her sulph'rous stale;
Thus slacked is her Stygian fire,
And she vouchsafes now to retire.
Anon the tbegins to pant,
Bethinks him of th' almighty plant,
And lest he peece-meal should be sped,
Wisely doth finish himself dead.
Whilst the gay girl, as was her fate,
Doth wanton and luxuriate,
And crowns her conqu'ring head all or
With fatal leaves of hellebore.
Not guessing at the pretious aid
Was lent her by the heavenly maid.
The neer expiring tnow rowls
Himself in lazy bloody scrowls,
To th' sov'raign salve of all his ills,
That only life and health distills.
But loe! a terror above all,
That ever yet did him befall!
Pallas, still mindful of her foe,
(Whilst they did with each fires glow)
Had to the place the spiders lar
Dispath'd before the ev'nings star.
He learned was in Natures laws,
Of all her foliage knew the cause,
And 'mongst the rest in his choice want
Unplanted had this plantane plant.
The all-confounded tdoth see
His life fled with his remedie,
And in a glorious despair
First burst himself, and next the air;
Then with a dismal horred yell
Beats down his loathsome breath to hell.
But what inestimable bliss
This to the sated virgin is,
Who, as before of her fiend foe,
Now full is of her goddess too!
She from her fertile womb hath spun
Her stateliest pavillion,
Whilst all her silken flags display,
And her triumphant banners play;
Where Pallas she ith' midst doth praise,
And counterfeits her brothers rayes,
Nor will she her dear lar forget,
Victorious by his benefit,
Whose roof inchanted she doth free
From haunting gnat and goblin bee,
Who, trapp'd in her prepared toyle,
To their destruction keep a coyle.
Then she unlocks the ts dire head,
Within whose cell is treasured
That pretious stone, which she doth call
A noble recompence for all,
And to her lar doth it present,
Of his fair aid a monument.
82.1 It will be seen that this poem partly turns on the mythological tale of Arachne and Minerva, and the metamorphosis of the former by the angry goddess into a spider ().
82.2 i.e. CARAK, or CARRICK, as the word is variously spelled. This large kind of ship was much used by the Greeks and Venetians during the middle ages, and also by other nations.
82.3 The poet rather awkwardly sustains his simile, and employs, in expressing a contest between the tand the spider, a term signifying a naval battle, or, at least, a fight between two ships.
82.4 Lovelace's fondness for military similitudes is constantly standing in the way, and marring his attempts at poetical imagery.
82.5 A form of RAMPART, sanctioned by Dryden.
82.6 Medicinal herb or plant.
82.7 Blended.
82.8 CAMPANIA may signify, in the present passage, either a field or the country generally, or a plain. It is a clumsy expression.
82.9 In the sense in which it is here used this word seems to be peculiar to Lovelace. TO PICKEAR, or PICKEER, means TO SKIRMISH.
82.10 So that.
THE SNAYL.
Wise emblem of our politick world,
Sage Snayl, within thine own self curl'd,
Instruct me softly to make hast,
Whilst these my feet go slowly fast.
Compendious Snayl! thou seem'st to me
Large Euclid's strict epitome;
And in each diagram dost fling
Thee from the point unto the ring.
A figure now trianglare,
An oval now, and now a square,
And then a serpentine, dost crawl,
Now a straight line, now crook'd, now all.
Preventing83.1 rival of the day,
Th' art up and openest thy ray;
And ere the morn cradles the moon,83.2
Th' art broke into a beauteous noon.
Then, when the Sun sups in the deep,
Thy silver horns e're Cinthia's peep;
And thou, from thine own liquid bed,
New Phoebus, heav'st thy pleasant head.
Who shall a name for thee create,
Deep riddle of mysterious state?
Bold Nature, that gives common birth
To all products of seas and earth,
Of thee, as earth-quakes, is afraid,
Nor will thy dire deliv'ry aid.
Thou, thine own daughter, then, and sire,
That son and mother art intire,
That big still with thy self dost go,
And liv'st an aged embrio;
That like the cubbs of India,
Thou from thy self a while dost play;
But frighted with a dog or gun,
In thine own belly thou dost run,
And as thy house was thine own womb,
So thine own womb concludes thy tomb.
But now I must (analys'd king)
Thy oeconomick virtues sing;
Thou great stay'd husband still within,
Thou thee that's thine dost discipline;
And when thou art to progress bent,
Thou mov'st thy self and tenement,
As warlike Scythians travayl'd, you
Remove your men and city too;
Then, after a sad dearth and rain,
Thou scatterest thy silver train;
And when the trees grow nak'd and old,
Thou cloathest them with cloth of gold,
Which from thy bowels thou dost spin,
And draw from the rich mines within.
Now hast thou chang'd thee, saint, and made
Thy self a fane that's cupula'd;
And in thy wreathed cloister thou
Walkest thine own gray fryer too;
Strickt and lock'd up, th'art hood all ore,
And ne'r eliminat'st thy dore.
On sallads thou dost feed severe,
And 'stead of beads thou drop'st a tear,
And when to rest each calls the bell,
Thou sleep'st within thy marble cell,
Where, in dark contemplation plac'd,
The sweets of Nature thou dost tast,
Who now with time thy days resolve,
And in a jelly thee dissolve,
Like a shot star, which doth repair
Upward, and rarifie the air.
83.1 Anticipating, forerunning.
83.2 It can scarcely be requisite to mention that Lovelace refers to the gradual evanescence of the moon before the growing daylight. It is well known that the lunar orb is, at certain times, visible sometime even after sunrise.
ANOTHER.
The Centaur, Syren, I foregoe;
Those have been sung, and lowdly too:
Nor of the mixed Sphynx Ile write,
Nor the renown'd Hermaphrodite.
Behold! this huddle doth appear
Of horses, coach and charioteer,
That moveth him by traverse law,
And doth himself both drive and draw;
Then, when the Sunn the south doth winne,
He baits him hot in his own inne.
I heard a grave and austere clark
Resolv'd him pilot both and barque;
That, like the fam'd ship of TREVERE,
Did on the shore himself lavere:
Yet the authentick do beleeve,
Who keep their judgement in their sleeve,
That he is his own double man,
And sick still carries his sedan:
Or that like dames i'th land of Luyck,
He wears his everlasting huyck.84.1
But banisht, I admire his fate,
Since neither ostracisme of state,
Nor a perpetual exile,
Can force this virtue, change his soyl:
For, wheresoever he doth go,
He wanders with his country too.
84.1 i.q. HUKE. "Huke," says Minshen, "is a mantle such as women use in Spaine, Germanie, and the Low Countries, when they goe abr" Lovelace clearly adopts the word for the sake of the metre; otherwise he might have chosen a better one.
THE TRIUMPHS OF PHILAMORE AND AMORET.
TO THE NOBLEST OF OUR YOUTH AND BEST OF FRIENDS,
CHARLES COTTON, Esquire.85.l
BEING AT BERISFORD, AT HIS HOUSE IN STAFFORDSHIRE. FROM LONDON.
A POEM.
Sir, your sad absence I complain, as earth
Her long-hid spring, that gave her verdures birth,
Who now her cheerful aromatick head
Shrinks in her cold and dismal widow'd bed;
Whilst the false sun her lover doth him move
Below, and to th' antipodes make love.
What fate was mine, when in mine obscure cave
(Shut up almost close prisoner in a grave)
Your beams could reach me through this vault of night,
And canton the dark dungeon with light!
Whence me (as gen'rous Spahys) you unbound,
Whilst I now know my self both free and crown'd.
But as at Meccha's tombe, the devout blind
Pilgrim (great husband of his sight and mind)
Pays to no other object this chast prise,
Then with hot earth anoynts out both his eyes:
So having seen your dazling glories store,
It is enough, and sin for to see more.
Or, do you thus those pretious rayes withdraw
To whet my dull beams, keep my bold in aw?
Or, are you gentle and compassionate,
You will not reach me Regulus his fate?
Brave prince! who, eagle-ey'd of eagle kind,
Wert blindly damn'd to look thine own self blind!
But oh, return those fires, too cruel-nice!
For whilst you fear me cindars, see, I'm ice!
A nummed speaking clod and mine own show,85.2
My self congeal'd, a man cut out in snow:
Return those living fires. Thou, who that vast
Double advantage from one-ey'd Heav'n hast,
Look with one sun, though 't but obliquely be,
And if not shine, vouchsafe to wink on me.
Perceive you not a gentle, gliding heat,
And quick'ning warmth, that makes the statua sweat;
As rev'rend Ducaleon's black-flung stone,
Whose rough outside softens to skin, anon
Each crusty vein with wet red is suppli'd,
Whilst nought of stone but in its heart doth 'bide.
So from the rugged north, where your soft stay
Hath stampt them a meridian and kind day;
Where now each A LA MODE inhabitant
Himself and 's manners both do pay you rent,
And 'bout your house (your pallace) doth resort,
And 'spite of fate and war creates a court.
So from the taught north, when you shall return,
To glad those looks that ever since did mourn,
When men uncloathed of themselves you'l see,
Then start new made, fit, what they ought to be;
Hast! hast! you, that your eyes on rare sights feed:
For thus the golden triumph is decreed.
The twice-born god, still gay and ever young,
With ivie crown'd, first leads the glorious throng:
He Ariadne's starry coronet
Designs for th' brighter beams of Amoret;
Then doth he broach his throne, and singing quaff
Unto her health his pipe of god-head off.
Him follow the recanting, vexing Nine
Who, wise, now sing thy lasting fame in wine;
Whilst Phoebus, not from th' east, your feast t' adorn,
But from th' inspir'd Canaries, rose this morn.
Now you are come, winds in their caverns sit,
And nothing breaths, but new-inlarged wit.
Hark! One proclaims it piacle85.3 to be sad,
And th' people call 't religion to be mad.
But now, as at a coronation,
When noyse, the guard, and trumpets are oreblown,
The silent commons mark their princes way,
And with still reverence both look and pray;
So they amaz'd expecting do adore,
And count the rest but pageantry before.
Behold! an hoast of virgins, pure as th' air
In her first face,85.4 ere mists durst vayl her hair:
Their snowy vests, white as their whiter skin,
Or their far chaster whiter thoughts within:
Roses they breath'd and strew'd, as if the fine
Heaven did to earth his wreath of swets resign;
They sang aloud: "THRICE, OH THRICE HAPPY, THEY
THAT CAN, LIKE THESE, IN LOVE BOTH YIELD AND SWAY."
Next herald Fame (a purple clowd her bears),
In an imbroider'd coat of eyes and ears,
Proclaims the triumph, and these lovers glory,
Then in a of steel records the story.
And now a youth of more than god-like form
Did th' inward minds of the dumb throng alarm;
All nak'd, each part betray'd unto the eye,
Chastly: for neither sex ow'd he or she.
And this was heav'nly love. By his bright hand,
A boy of worse than earthly stuff did stand;
His bow broke, his fires out, and his wings clipt,
And the black slave from all his false flames stript;
Whose eyes were new-restor'd but to confesse
This day's bright blisse, and his own wretchednesse;
Who, swell'd with envy, bursting with disdain,
Did cry to cry, and weep them out again.
And now what heav'n must I invade, what sphere
Rifle of all her stars, t' inthrone her there?
No! Phoebus, by thy boys85.5 fate we beware
Th' unruly flames o'th' firebrand, thy carr;
Although, she there once plac'd, thou, Sun, shouldst see
Thy day both nobler governed and thee.
Drive on, Bootes, thy cold heavy wayn,
Then grease thy wheels with amber in the main,
And Neptune, thou to thy false Thetis gallop,
Appollo's set within thy bed of scallop:
Whilst Amoret, on the reconciled winds
Mounted, and drawn by six caelestial minds,
She armed was with innocence and fire,
That did not burn; for it was chast desire;
Whilst a new light doth gild the standers by.
Behold! it was a day shot from her eye;
Chafing perfumes oth' East did throng and sweat,
But by her breath they melting back were beat.
A crown of yet-nere-lighted stars she wore,
In her soft hand a bleeding heart she bore,
And round her lay of broken millions more;85.6
Then a wing'd crier thrice aloud did call:
LET FAME PROCLAIM THIS ONE GREAT PRISE FOR ALL.
By her a lady that might be call'd fair,
And justly, but that Amoret was there,
Was pris'ner led; th' unvalewed robe she wore
Made infinite lay lovers to adore,
Who vainly tempt her rescue (madly bold)
Chained in sixteen thousand links of gold;
Chrysetta thus (ln with treasures) slave
Did strow the pass with pearls, and her way pave.
But loe! the glorious cause of all this high
True heav'nly state, brave Philamore, draws nigh,
Who, not himself, more seems himself to be,
And with a sacred extasie doth see!
Fix'd and unmov'd on 's pillars he doth stay,
And joy transforms him his own statua;
Nor hath he pow'r to breath [n]or strength to greet
The gentle offers of his Amoret,
Who now amaz'd at 's noble breast doth knock,
And with a kiss his gen'rous heart unlock;
Whilst she and the whole pomp doth enter there,
Whence her nor Time nor Fate shall ever tear.
But whether am I hurl'd? ho! back! awake
From thy glad trance: to thine old sorrow take!
Thus, after view of all the Indies store,
The slave returns unto his chain and oar;
Thus poets, who all night in blest heav'ns dwell,
Are call'd next morn to their true living hell;
So I unthrifty, to myself untrue,
Rise cloath'd with real wants, 'cause wanting you,
And what substantial riches I possesse,
I must to these unvalued dreams confesse.
But all our clowds shall be oreblown, when thee
In our horizon bright once more we see;
When thy dear presence shall our souls new-dress,
And spring an universal cheerfulnesse;
When we shall be orewhelm'd in joy, like they
That change their night for a vast half-year's day.
Then shall the wretched few, that do repine,
See and recant their blasphemies in wine;
Then shall they grieve, that thought I've sung too free,
High and aloud of thy true worth and thee,
And their fowl heresies and lips submit
To th' all-forgiving breath of Amoret;
And me alone their angers object call,
That from my height so miserably did fall;
And crie out my invention thin and poor,
Who have said nought, since I could say no more.
85.1 Charles Cotton the younger, Walton's friend. He was born on the 28th of April, 1630. He married, in 1656, Isabella, daughter of Sir Thomas Hutchinson, of Owthorp, co. Notts, Knight. See Walton's ANGLER, ed. 1760, where a life of Cotton, compiled from the notes of the laborious Oldys, will be found. The poet died in 1687, and, two years later, his miscellaneous verses were printed in an octavo volume.
85.2 i.e. the shadow of myself.
85.3 A crime, from the Latin PIACULUM which, from meaning properly AN ATONEMENT, was afterwards used to express WHAT REQUIRED an atonement, i.e. an offence or sin.
85.4 The sky in the early part of the morning, before it is clouded by mists.
85.5 Phaeton.
85.6 0riginal reads, OF MILLIONS BROKEN MORE. The above is certainly preferable; but the reader may judge for himself. It should be borne in mind that the second part of LUCASTA was not even printed during the poet's life. If he had survived to republish the first portion, and to revise the second perhaps we should have had a better text.
ADVICE TO MY BEST BROTHER,
COLL: FRANCIS LOVELACE.86.1
Frank, wil't live unhandsomely? trust not too far
Thy self to waving seas: for what thy star,
Calculated by sure event, must be,
Look in the glassy-epithete,86.2 and see.
Yet settle here your rest, and take your state,
And in calm halcyon's nest ev'n build your fate;
Prethee lye down securely, Frank, and keep
With as much no noyse the inconstant deep
As its inhabitants; nay, stedfast stand,
As if discover'd were a New-found-land,
Fit for plantation here. Dream, dream still,
Lull'd in Dione's cradle; dream, untill
Horrour awake your sense, and you now find
Your self a bubbled pastime for the wind;
And in loose Thetis blankets torn and tost.
Frank, to undo thy self why art at cost?
Nor be too confident, fix'd on the shore:
For even that too borrows from the store
Of her rich neighbour, since now wisest know
(And this to Galileo's judgement ow),
The palsie earth it self is every jot
As frail, inconstant, waveing, as that blot
We lay upon the deep, that sometimes lies
Chang'd, you would think, with 's botoms properties;
But this eternal, strange Ixion's wheel
Of giddy earth ne'er whirling leaves to reel,
Till all things are inverted, till they are
Turn'd to that antick confus'd state they were.
Who loves the golden mean, doth safely want
A cobwebb'd cot and wrongs entail'd upon't;
He richly needs a pallace for to breed
Vipers and moths, that on their feeder feed;
The toy that we (too true) a mistress call,
Whose looking-glass and feather weighs up all;
And cloaths which larks would play with in the sun,
That mock him in the night, when 's course is run.
To rear an edifice by art so high,
That envy should not reach it with her eye,
Nay, with a thought come neer it. Wouldst thou know,
How such a structure should be raisd, build low.
The blust'ring winds invisible rough stroak
More often shakes the stubborn'st, prop'rest oak;
And in proud turrets we behold withal,
'Tis the imperial top declines to fall:
Nor does Heav'n's lightning strike the humble vales,
But high-aspiring mounts batters and scales.
A breast of proof defies all shocks of Fate,
Fears in the best, hopes in worser state;
Heaven forbid that, as of old, time ever
Flourish'd in spring so contrary, now never.
That mighty breath, which blew foul Winter hither,
Can eas'ly puffe it to a fairer weather.
Why dost despair then, Frank? Aeolus has
A Zephyrus as well as Boreas.
'Tis a false sequel, soloecisme 'gainst those
Precepts by fortune giv'n us, to suppose
That, 'cause it is now ill, 't will ere be so;
Apollo doth not always bend his bow;
But oft, uncrowned of his beams divine,
With his soft harp awakes the sleeping Nine.
In strictest things magnanimous appear,
Greater in hope, howere thy fate, then86.3 fear:
Draw all your sails in quickly, though no storm
Threaten your ruine with a sad alarm;
For tell me how they differ, tell me, pray,
A cloudy tempest and a too fair day?
86.1 One of the younger brothers of the poet. In the year of the Restoration he filled the office of Recorder of Canterbury, and in that capacity delivered the address of the city to Charles II. on his passage through the place. This speech was printed in 1660, 4to, three leaves. The following extracts from the CALENDARS OF STATE PAPERS (Domestic Series, 1660-1, page 139), throw a little additional light on the history of this person:—
"1660, July 1.—Petition of Fras. Lovelace, Recorder of Canterbury, to the King, for the stewardship of the liberties of St. Augustine, near Canterbury, for himself and his son Goldwell. Has suffered sequestration, imprisonment, and loss of office, for his loyalty. WITH A NOTE OF THE REQUESTED GRANT FOR FRAS. LOVELACE.
"Grant to Fras. Lovelace, of the office of chief steward of the
Liberties of the late monastery of St. Augustine, near Canterbury."
86.2 Unless the poet is advising his brother, before the latter ventures on a long sea voyage, to look in the crystal, or beryl, so popular at that time, in order to read his fortune, I must confess my ignorance of the meaning of "glassy-epithete." See, for an account of the beryl, Aubrey's MISCELLANIES, edit. 1857, p. 154.
86.3 Than.
PARIS'S SECOND JUDGEMENT,
UPON THE THREE DAUGHTERS OF MY DEAR
BROTHER MR. R. CAESAR.87.1
Behold! three sister-wonders, in whom met,
Distinct and chast, the splendrous87.2 counterfeit87.3
Of Juno, Venus and the warlike Maid,
Each in their three divinities array'd;
The majesty and state of Heav'ns great Queen,
And when she treats the gods, her noble meen;
The sweet victorious beauties and desires
O' th' sea-born princess, empresse too of fires;
The sacred arts and glorious lawrels torn
From the fair brow o' th' goddesse father-born;
All these were quarter'd in each snowy coat,
With canton'd87.4 honours of their own, to boot.
Paris, by fate new-wak'd from his dead cell,
Is charg'd to give his doom impossible.
He views in each the brav'ry87.5 of all Ide;
Whilst one, as once three, doth his soul divide.
Then sighs so equally they're glorious all:
WHAT PITY THE WHOLE WORLD IS BUT ONE BALL!
87.1 Second son of Sir John Caesar, Knt., who was the second surviving son of Sir Julius Caesar, Knt., Master of the Rolls. Mr. Robert Caesar married the poet's sister Johanna, by whom he had three daughters, co-heirs—Anne, Juliana, and Johanna. These are the ladies commemorated in the text. See Lodge's LIFE OF SIR JULIUS CAESAR, 1827, p. 54.
87.2 Original reads SPLENDORS.
87.3 This word is here used to signify simply RESEMBLANCE or COPY.
87.4 i.e. quartered. CANTON, in heraldry, is a square space at one of the corners of a shield of arms.
87.5 Bravery here means, as it often does in writers of and before the time of Lovelace, A BEAUTIFUL OR FINE SPECTACLE, or simply BEAUTY. BRAVE in the sense of FINE (gaudy or gallant) is still in use.
PEINTURE.
A PANEGYRICK TO THE BEST PICTURE OF FRIENDSHIP, MR. PET. LILLY.
If Pliny, Lord High Treasurer of all88.1
Natures exchequer shuffled in this our ball,88.2
Peinture her richer rival did admire,
And cry'd she wrought with more almighty fire,
That judg'd the unnumber'd issue of her scrowl,
Infinite and various as her mother soul,
That contemplation into matter brought,
Body'd Ideas, and could form a thought.
Why do I pause to couch the cataract,88.3
And the grosse pearls from our dull eyes abstract,
That, pow'rful Lilly, now awaken'd we
This new creation may behold by thee?
To thy victorious pencil all, that eyes
And minds call reach, do bow. The deities
Bold Poets first but feign'd, you do and make,
And from your awe they our devotion take.
Your beauteous pallet first defin'd Love's Queen,
And made her in her heav'nly colours seen;
You strung the bow of the Bandite her son,88.4
And tipp'd his arrowes with religion.
Neptune as unknown as his fish might dwell,
But that you seat him in his throne of shell.
The thunderers artillery and brand,
You fancied Rome in his fantastick hand;
And the pale frights, the pains, and fears of hell
First from your sullen melancholy fell.
Who cleft th' infernal dog's loath'd head in three,
And spun out Hydra's fifty necks? by thee
As prepossess'd w' enjoy th' Elizian plain,
Which but before was flatter'd88.5 in our brain.
Who ere yet view'd airs child invisible,
A hollow voice, but in thy subtile skill?
Faint stamm'ring Eccho you so draw, that we
The very repercussion do see.
Cheat-HOCUS-POCUS-Nature an assay88.6
O' th' spring affords us: praesto, and away!88.7
You all the year do chain her and her fruits,
Roots to their beds, and flowers to their roots.
Have not mine eyes feasted i' th' frozen Zone
Upon a fresh new-grown collation
Of apples, unknown sweets, that seem'd to me
Hanging to tempt as on the fatal tree,
So delicately limn'd I vow'd to try
My88.8 appetite impos'd upon my eye?88.9
You, sir, alone, fame, and all-conqu'ring rime,
File88.10 the set teeth of all-devouring time.
When beauty once thy vertuous paint hath on,
Age needs not call her to vermilion;
Her beams nere shed or change like th' hair of day,88.11
She scatters fresh her everlasting ray.
Nay, from her ashes her fair virgin fire
Ascends, that doth new massacres conspire,
Whilst we wipe off the num'rous score of years,
And do behold our grandsire[s] as our peers;
With the first father of our house compare
We do the features of our new-born heir:
For though each coppied a son, they all
Meet in thy first and true original.
Sacred! luxurious! what princesse not
But comes to you to have her self begot?
As, when first man was kneaded, from his side
Is born to's hand a ready-made-up bride.
He husband to his issue then doth play,
And for more wives remove the obstructed way:
So by your art you spring up in two noons
What could not else be form'd by fifteen suns;
Thy skill doth an'mate the prolifick flood,
And thy red oyl assimilates to blood.
Where then, when all the world pays its respect,
Lies our transalpine barbarous neglect?
When the chast hands of pow'rful Titian
Had drawn the scourges of our God and man,
And now the top of th' altar did ascend
To crown the heav'nly piece with a bright end;
Whilst he, who in88.12 seven languages gave law,
And always, like the Sun, his subjects saw,
Did, in his robes imperial and gold,
The basis of the doubtful ladder hold.
O Charls!88.13 a nobler monument than that,
Which thou thine own executor wert at!
When to our huffling Henry88.14 there complain'd
A grieved earl, that thought his honor stain'd:
Away (frown'd he), for your own safeties, hast!
In one cheap hour ten coronets I'l cast;
But Holbeen's noble and prodigious worth
Onely the pangs of an whole age brings forth.88.15
Henry! a word so princely saving said,
It might new raise the ruines thou hast made.
O sacred Peincture! that dost fairly draw,
What but in mists deep inward Poets saw;
'Twixt thee and an Intelligence no odds,88.16
That art of privy council to the gods!
By thee unto our eyes they do prefer
A stamp of their abstracted character;
Thou, that in frames eternity dost bind,
And art a written and a body'd mind;
To thee is ope the Juncto o' th' abysse,
And its conspiracy detected is;
Whilest their cabal thou to our sense dost show,
And in thy square paint'st what they threat below.
Now, my best Lilly, let's walk hand in hand,
And smile at this un-understanding land;
Let them their own dull counterfeits adore,
Their rainbow-cloaths admire, and no more.
Within one shade of thine more substance is,
Than all their varnish'd idol-mistresses:
Whilst great Vasari and Vermander shall
Interpret the deep mystery of all,
And I unto our modern Picts shall show,
What due renown to thy fair art they owe
In the delineated lives of those,
By whom this everlasting lawrel grows.
Then, if they will not gently apprehend,
Let one great blot give to their fame an end;
Whilst no poetick flower their herse doth dresse,
But perish they and their effigies.
88.1 An allusion is, of course, intended to Pliny's NATURAL HISTORY which, through Holland's translation, became popular in England after 1601.
88.2 i.e. in our globe.
88.3 A term borrowed from the medical, or rather surgical, vocabulary. "To couch a cataract" (i.e. in the eye) is to remove it by surgical process.
88.4 An allusion to Lely's pictures of Venus and Cupid.
88.5 Falsely portrayed.
88.6 A glimpse.
88.7 Some picture by Lely, in which the painter introduced a spring landscape, is meant. The poet feigns the copy of Nature to be so close that one might suppose the Spring had set in before the usual time. The canvass is removed, and the illusion is dispelled. "Praesto, 'tis away," would be a preferable reading.
88.8 i.e. if my appetite, c. Lovelace's style is elliptical to an almost unexampled degree.
88.9 The same story, with variations, has been told over and over again since the time of Zeuxis.
88.10 Original edition has FILES.
88.11 HAIR is here used in what has become quite an obsolete sense. The meaning is outward form, nature, or character. The word used to be by no means uncommon; but it is now, as was before remarked, out of fashion; and, indeed, I do not think that it is found even in any old writer used exactly in the way in which Lovelace has employed it.
88.12 Original reads TO.
88.13 Charles V.
88.14 Henry VIII.
88.15 A story too well known to require repetition. The Earl is not mentioned.—See Walpole's ANECDOTES OF PAINTING, ed. 1862, p.71.
88.16 i.e. no difference. A compliment to Lely's spirituality.
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